No fat batboy is invisible.
The condition of visibility as it relates to black people was crucial. Connected to that, I've always been interested in science fiction and horror films and was acutely aware of the political and social implications of Ralph Ellison's description of invisibility as it relates to black people, as opposed to the kind of retinal invisibility that H.G. Wells described in his novel Invisible Man.
What the left ends up missing is that politics have always been at the heart of American culture; it's been a white identity that's been rendered invisible and neutral because it's seen as objective and universal. As a result, we don't pay attention to how whiteness is one among many racial identities, and that identity politics have been here since the get-go.
The thing about me is, coming from an alternative music background and singing for nine years, being basically invisible, I'm so used to writing for myself - and at the end of the day, I do it because I feel like I have to. So when I'm recording or writing, I don't have other people in mind.
With the search for the Higgs, we're involved with 5% of the visual universe, and now we have 95% of the invisible universe that's coming into view. That's amazing.
Adam Smith's uncritically enthusiastic modern disciples portray his invisible hand theory as saying that market forces reliably harness selfish individuals to serve the common good. That's often true, but as Darwin recognized clearly, many traits that serve the interests of individual animals make life more difficult for larger groups.
There's an invisible army of woman and men who really don't get why we give so much of ourselves to football. And they need to SPEAK UP.
If there is such a thing as philosophical progress, then why - unlike scientific progress - is it so invisible? Philosophical progress is invisible because it is incorporated into our points of view. What was torturously secured by complex argument comes widely shared intuition, so obvious that we forget its provenance.
I think that the invisibility of hunger in America - to the eye - is what's keeping it invisible politically and to America at large.
The first of the Trainspotting crew to die. Out of the five of them like, Begbie, Renton, Spud, Sick Boy and [Margaret] Thatcher. Who'd have thunk she'd have been the first to go? She was the invisible author of the book, really. She created the conditions and the hubris whereby that whole culture flourished.
"The Invisible Woman" was about trying to show this conflict in [Nelly Ternan] woman truthfully, between her own identity, but also being in love with someone who I think made very high demands from her.
I've done quite a lot of improv work before, and I wanted to do this film ["The Invisible Woman"] because it felt like a different technique. We were very true to the lines, and there was something quite formal and almost theatrical about it.
I really enjoyed it - being involved in watching rushes and playback [in "The Invisible Woman"]. Ralph [Fiennes] was very open to my input, I think knowing that he couldn't always be there 100 percent, that he had dual aims with directing and acting.
Political power goes much deeper than one suspects; there are centres and invisible, little-known points of support; its true resistance, its true solidity is perhaps where one doesn't expect it.
Let's take Adam Smith, the patron-saint of capitalism, what did he think? He thought the main human instinct was sympathy. In fact, take a look at the word "invisible hand." Which, of course, you learned about, or you think you've learned about. Take a look at the actual way in which he used the phrase. There is almost no relation to what is claimed.
Adam Smith is an egalitarian, he believed in equality of outcome, not opportunity. He is an enlightenment figure, pre-capitalist. He says, suppose in England, one landowner got most of the land and other people would have nothing to live on. He says it wouldn't matter much, because the rich land owner, by virtue of his sympathy for other people would distribute resources among them, so that by an invisible hand, we would end up with a pretty egalitarian society. That is his conception of human nature.
Home is essentially a set of values you carry around with you and, like a turtle or a snail or whatever, home has to be something that is part of you and can be equally a part of you wherever you are. I think that not having a home is a good inducement to creating a metaphysical home and to being able to see it in more invisible ways.
If I didn't end up talking about the things that I care about, I wouldn't be myself. I didn't like the idea that I would be a different person on the internet than I would be in real life. And I see people struggling. I see people who face prejudice and people who feel invisible. And I recognize that I already have a built-in platform that I can utilize so easily to actually do something.
From the beginning, I've stressed that home is something internal, invisible, portable, especially for those of us with roots in many physical places; we have to root ourselves in our passions, our values and our deepest friends. My home, I've always felt, lies in the songs and novels that I love, in the wife and mother that I'm never far away from, in the monastery to which I've been returning for 25 years.
There's so much visible stuff around now, we're tempted to forget that it's usually the invisible that matters most.
The inner and outer, the visible and invisible, the abstract and concrete - you've got to get the balance right (not that I do, but it's something to aim for).
When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.
The God we worship is Jesus - He is the image of the invisible God - and if we dare seek Him for who He really is rather than pursue an idea of Him that fits into our tidy boxes, He will blow our minds.
I think we create our world through stories. We use storytelling to escape or protect ourselves from the unimaginable and the horrible - from the real, in a way. It's like white light - if you put everyday reality through a prism you get this rainbow of colors that you couldn't see before. I'm interested in exploring the world to show the things that are invisible. And not just undocumented aspects of reality, but to actually make manifest things that have been hitherto invisible through the intervention of filmmaking.
Light confirms my reality, gives birth to my form...without light I am not only invisible but formless as well; and to be unaware of one's form is to live a death...the truth is the light and light is the truth.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: