The man who will live above his present circumstances, is in great danger of soon living beneath them; or as the Italian proverb says, "The man that lives by hope, will die by despair.
ZANY, n. A popular character in old Italian plays, who imitated with ludicrous incompetence the _buffone_, or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play. The zany was progenitor to the specialist in humor, as we to-day have the unhappiness to know him. In the zany we see an example of creation; in the humorist, of transmission. Another excellent specimen of the modern zany is the curate, who apes the rector, who apes the bishop, who apes the archbishop, who apes the devil.
The music throbbed in a voice of singular and delicate power; the air was resonant with melody, love and pain. The meanest Italian in the gallery far up beneath the ceiling, the most exalted of the land in the boxes and the stalls, leaned indulgently forward, to be swept by this sweet storm of song.
Poor Englishwomen! When it comes to their clothes- well, the French reaction is a shrug, the Italian reaction a spreading of the hands and a lifting of the eyes and the American reaction simply one of amused contempt.
It was only cool to have blond hair and be a surfer chick [in Sydney]. I could learn how to surf, but I still looked Italian. It took me a long time to realize that was a good thing.
I want you to know how I feel about my Italian heritage, so I'd like to say a few words in Italian: Verdi, Pavarotti, DiMaggio, Valentino, De Niro, Giuliani. . .
There are terrible living conditions and unhappiness, (even) where everybody is Italian.
The word 'risk' derives from the early Italian risicare, which means 'to dare'. In this sense, risk is a choice rather than a fate. The actions we dare to take, which depend on how free we are to make choices, are what the story of risk is all about. And that story helps define what it means to be a human being.
Had there been no Renaissance and no Italian influence to bring in the stories of other lands English history would, it may be, have become as important to the English imagination as the Greek Myths to the Greek imagination; and many plays by many poets would have woven it into a single story whose contours, vast as those of Greek myth, would have made living men and women seem like swallows building their nests under the architrave of some Temple of the Giants.
Businessmen should not put their finger in politics, because they tend to think only of their own self-interest. But I worry about the low morale in Italian industry and the lack of government initiatives to help the poor.
At the first meeting I had with the (Italian) bishops in May 2013, one of the three things I said was: with the Italian government you're on your own. Because the pope is for everybody and he can't insert himself in the specific internal politics of a country. This is not the role of the pope, right?
I'm in the saddle every day playing a screwball. And then somebody comes along and says, "How would you like to go to Italy and Spain and do an Italian/Spanish/German co-production with an Italian director who's only directed one movie?" It wasn't like I was going there to be with Federico Fellini. But something was there, and I thought, Well, I loved this story when it was told by Akira Kurosawa; maybe this is a good idea. That's an instinctive moment. A Fistful of Dollars was made.
Shopping as lifestyle is really a sub-cultural problem. When the strictures that set you apart or oppressed you, disappear, is there a way, legitimately, to maintain your sense of specialness and difference? And how do you express that? Does it just become a kind of kitsch? You can say this of gay people, but it's true for Jewish people, Italian Americans, everyone who deals with it. It's a question of assimilation. How can you be assimilated and special at the same time?
An Italian piazza was my vision - a place where people would come and meet, see an exhibition, browse through books, have a drink, eat, rest, shop. Even today, the best compliment is when someone tells me that they were having a difficult day, and when they came here, they felt better.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
You have to go with your instincts. I remember when I was about to make "Fistful of Dollars" a big article came out that said, "Italian Westerns are finished." I said, "Swell." Then, of course, the film came out, and it did something. I'm so glad for the dozens of times I haven't listened along the way.
Albania was a very isolated country, politically, economically, and culturally. Our only connection to the world was through a radio program called Voice of America, and through the Italian television waves, which we caught illegally through primitive, improvised antennas. The only way to escape from reality was reading books.
He [Paolo Sarpi] was one of the two foremost Italian statesmen since the Middle Ages, the other being Cavour.
I always say to young people, "Get the hell out of the United States." Especially if you're young, like if you're 21 or something. Let's say you don't speak any Italian. You're 21. Everyone's going to want to sleep with you and be nice to you. And the best way to learn a language is to sleep with someone from that country.
I love cooking. I like to make lasagna - its authentic Italian-style. I also do a great chicken recipe for a barbecue.
Im Jewish and Italian, and I lucked out and got the nose of both cultures.
I have sat through an Italian opera, til, for sheer pain, and inexplicable anguish, I have rushed out into the noisiest places of the crowded street, to solace myself with sounds which I was not obliged to follow and get rid of the distracting torment of endless, fruitless, barren attention!
No nice extreme a true Italian knows; But bid him go to hell, to hell he goes.
I really enjoyed playing Vinny Vedecci, the Italian talk show host. He was the first character I ever came up with where I gave him a name and a way of dressing.
I did enjoy cooking, I still do really enjoy cooking - I make a nice salmon dish, and Im a huge meat freak, so I love to bang a few steaks on the grill or pasta. Anything Italian, really.
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