It was not a friendly game, and Jerry certainly did not have friendliness in his eyes. He had an extra mean streak that day. He was out of control and probably should have been ejected.
Jerry and I always felt that the character was enjoying himself. He was having fun: he wasn't taking himself seriously. It was always a lark for him, as you can see in my early drawings.
Golfers are genuinely courteous in a discourteous world. Show me a guest on The Jerry Springer Show who's a golfer.
My first motion capture game was with Sony - NBA: The Life. It was very ahead of its time. Brandon Akiaten, he was the writer and director. He had a real vision of what this game was meant to be; it was a basketball game where I was the Jerry Maguire sports agent type guy. And it was great!
From Lucifer to Jerry Sneak there is not an aspect of evil, imperfection, and littleness which can elude the lights of humor or the lightning of wit.
The music is an important and crucial part to an animated film. You don't think about it, but you can watch Tom and Jerry with no words, for hours, and the music dictates the emotion and where the story is going and how you're supposed to feel. Everything is in the music.
Jerry Falwell can go straight to hell - and I mean that in a Christian way.
You weren't supposed to hear Elvis Presley. You weren't supposed to hear Jerry Lee Lewis. You weren't supposed to hear Robert Johnson. You weren't supposed to hear Hank Williams. And they told the story of the secret America.
Coming from the South, I just felt you had to work just a little bit harder. It was not going to be handed to you. I’d get the letters from all the major schools but no one came out to talk to me face to face until this small, dominant black school, Mississippi State Valley University sent a coach out to me. I had a chance to talk to him and he said, ‘Hey Jerry, we’re going to be doing some great things at Mississippi Valley State University and we would love to have you there.’
Bono met his wife in high school," Park says. "So did Jerry Lee Lewis," Eleanor answers. "I’m not kidding," he says. "You should be," she says, "we’re sixteen." "What about Romeo and Juliet?" "Shallow, confused," then dead. "I love you, Park says. "Wherefore art thou," Eleanor answers. "I’m not kidding," he says. "You should be.
Back when Jerry Seinfeld was just another comedian hanging around the clubs, I'd imitate him to amuse myself and the other comics. The club owners would say, 'What are you doing that for? Nobody knows him.'
Jerry Coleman was the kind of player who made me proud to wear the pinstripes.
Jerry Lumpe looks like the best hitter in the world until you put him in the lineup.
Jerry Seinfeld, he was doing Letterman show all the time, so he kind of had an excuse, that people know the jokes already. He didn't have time to do stand-up. A guy like me, I have no excuses.
I remember thinking as I was doing the jokes for the first time, "If I can hear that very clearly, I'm not hearing laughter." It just became deafening, this buzzing noise. I mean, it was brutal. It was really terrible. Then I remember thinking, "At least nobody important, or anyone who I really respect, saw that." And then literally right when I went off the stage, Jerry Seinfeld got up and went on. So I was like, "Oh great. Seinfeld saw me bomb." On the other hand, I thought, "At least no one will be thinking of me anymore. They'll just be focusing on him."
I pick my feature film battles very carefully. They're going to be personal and they're going to take a lot of my energy. I'm not going to be some big production company and be Jerry Bruckheimer or something like that. It doesn't interest me.
I really liked Tom & Jerry. That was huge for me. I watched it every morning, before I walked to school. Even as a kid, I thought there was something really smart about it. I thought it was very clever.
Nobody can make a movie as exciting as Jerry Bruckheimer. When it's a Jerry Bruckheimer movie that it's going to have lots of chrome and gloss, it's going to be sexy, and it's going to be big and fun.
Preserve the core, and let the rest flux. In their wonderful bestseller Built to Last, authors James Collins and Jerry Porras make a convincing argument that long-lived companies are able to thrive 50 years or more by retaining a very small heart of unchanging values, and then stimulating progress in everything else. At times "everything" includes changing the business the company operates in, migrating, say, from mining to insurance. Outside the core of values, nothing should be exempt from flux. Nothing.
There are no Jerry Garcias coming down the pike, anymore than there is a Jimi Hendrix or Bob Marley. They are all at the same level - the highest level that you strive to get to as a musician. Me and my friends - we'll all be long dead, people will still be trying to dig into what Jerry Garcia did.
Jerry Garcia was a great American master and the Grateful Dead are not just a genuine piece of musical history, but also an important part of American history.
I was wanting to do an album but I didn't know if I was really ready. Jerry Wexler was one of my closest friends and allies, like my godfather. He said, "Let's do an album." I couldn't sing worth a damn, but there were some good songs.
Some labeled Jerry Falwell an American version of the Ayatollah Khomeni. People for the American Way, a group organized to counter the Moral Majority, launched a slick media campaign attaching the Nazi slur to the religious right.
Things that make me laugh range from a wonderful stand-up like Jerry Seinfeld, Louis C.K. and Chris Rock to my son Gabe, who does great improv work. I also look backwards to the great comedic actors like Jackie Gleason, Paul Lynde and Phil Silvers.
Jerry Bruckheimer says that he makes films that he would want to see, and it seems that that coincides with what a lot of people want to see.
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