The responsibility of the scientist or journalist is to convey the context. If you're talking about the Arctic Sea ice, you have to embrace the reality that there's a huge number of other things that influence that on a year-to-year basis.
The weirdest time is when I'm having to explain myself all day to journalists, and then I don't perform, so there's no release, just a lot of self-consciousness. Then what do you do with that at the end of the day? How do you release your brain from talking about yourself all day?
When you are a journalist in the music business, as I was, you end up dying or going to the gym - I chose the gym.
The impulse of the journalist is to be novel, yet to relate his curiosities to the urgencies of the moment; the philosopher seeks what he conceives to be true, regardless of the moment.
I started off as a journalist when I was young and I did not get paid unless I wrote three stories a day.
My fellow journalists called themselves correspondents; I preferred the title of reporter. I wrote what I saw. I took no action -- even an opinion is a kind of action.
Being an artist, it's always tempting to measure success through other people's eyes, be they critics, journalists or audiences.
I think that if there are problems in journalism they're created by journalists... the trivialisation of the news and the sort of snyed, cynical allowance of untruth to be in a newspaper because it might be titillating.
There's several ways to be a journalist. One way is to be combative and take the person to task and what you have is a portrait of somebody defending themselves, which is interesting. The other thing is to slip into their world and really be a representative for all the people that love the experience of that artist, and have them get so comfortable that you become invisible and they're themselves.
If I write a character, instead of looking from the outside, like maybe a journalist would, trying to describe them physically and figuring out what kind of things they might be interested in or have in their house, I don't really do it that way. I try to feel what it would be like to be inside this person, to be them.
I know some really outstanding Turkish journalists, and have been pleased and honored to be able to join with them a few times in their courageous protests against state terror and repression.
It does not help that some politicians and journalists assume the public is interested only in those aspects of science that promise immediate practical applications to technology or medicine.
I feel like a lot of people involved with celebrity journalism have interesting ideas about the people they want to write about going into the interview. Then as soon as they actually sit down with that person, they basically ask the questions they think journalists are supposed to ask, and they start viewing themselves almost as a peer of the subject. Like they're going to become friends. That's why most celebrity journalism is so terrible.
Certainly, when it comes to my profession as a journalist, that allows the government to trace what you're reporting, who you're talking to, and where you've been. So no matter whether or not I have a commitment to protect my sources, the government may still have information that might allow them to identify whom I'm talking to.
I hope that many visual journalists will be hired or funded along the way as well - we urgently need their perspectives.
I'm just a journalist. I shine a mirror to the culture. I give the cop-out answer.
I love the idea of a shield law; I don't know of any journalist who doesn't love the idea of a shield law. It's all in the details. Some of the shield laws that were floating around sounded good, but when you looked at them, exceptions or exclusions or broadness in the language really invited some problems.
Because I would never work for a niche publication or a niche program on television and because I am a journalist and not an opinion person, my job is to try to see how many different points of view I can represent or how. It's not even a question of who you don't offend because you are always going to offend somebody. The question is how can you get people to listen to the information you have to present.
One of the problems with the media covering this place is that there are stereotypes of news, one of which is "war rages" and the other is "peace dawns." And there isn't much in between. When I talk to foreign journalists, often they are gritting their teeth because they've been asked for a piece about how shops are reopening and restaurants are reopening and so forth - happy pieces. And it just ain't so.
There is no journalist without opinions, and there's no real objectivity, but we can strive toward it.
I respect journalism. I was always very aware of journalism from a very broad point of view, but I'd say my baptism by fire was doing the Donald Margulies play Time Stands Still. That for me was a real education because I spent a lot of time with some incredible journalists, war reporters particularly - Bob Woodruff, Dexter Filkins - people who were very helpful in painting the picture for me and reading the accounts of people and what they experienced, a lot of PTSD.
But I still have him in the form of the finest and highest standard of what it means to be a journalist and critic. All my life, Roger Ebert has always been the bar I've tried to reach. I never will. But his example has made me stronger through failure.
If I am traitor, who did I betray? I gave all my information to the American public, to American journalists who are reporting on American issues. If they see that as treason, I think people really need to consider who they think they're working for. The public is supposed to be their boss, not their enemy.
I think that part of being a good journalist, part of being an awake member of the world youre in, is to view yourself as an outsider, and I always have, to some degree.
Under Syrian law, a journalist is not allowed to report on military matters. This may be wrong or right, but that's just the way it is.
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