One of the great weaknesses of journalists is they interview people and they think that's important. They think that they are going to show them their true hand. But more to the point, they're trapped.
Music journalists are some of the lazy, most uninspired, dull people I've ever met...
The most important problem in Iran is that the courts have lost their independence, and they are under the influence of the Ministry of Intelligence and their people. This is why we witness a number of journalists and human rights activists, my colleagues, and a number of feminists, in prison.
I'd rather [the collection] have no title. Journalists like titles. That's why I give them to you.
Most of the things I read from journalists are, you know, a little bit simplified and easy.
I can't become naked for everybody. It's never going to be possible for the person to write the whole story completely, so I find bits of myself, bits of what I think in some articles. And I don't give lip service to journalists. I never make them feel comfortable. I say, "It's your job to make the story."
I was living in New York at the time of the 9/11 attacks. And I remember, you know, in those weeks that followed, when none of us spoke about anything else really, a number of friends of mine, people I knew, including very experienced journalists, I heard them saying things like, well, now we understand what happened to you.
I definitely care about how the concept of New York punk was constructed, and why it mattered. But I wasn't gonna do that. Partly because I'm not a great journalist...
I went to university and studied English literature, and I forgot about music. I was gonna be a journalist. But then I decided to try and be a backing singer, and my mum was like, "Go for it." If that didn't work, I was gonna go to law school. I was just being boringly sensible; trying to be a singer felt a bit indulgent.
I began my career in the arts as a model, before adding my hats as an actress, a photographer, a journalist and now, filmmaker. I've seen and experienced it all.
During the Gulf War, journalists used to challenge government news managers and insisted they wouldn't just accept the official version of events.
Journalists go to press briefings at the Ministry of Defense in London or the Pentagon in Washington, and no critical questions are posed at all. It's just a news-gathering operation, and the fact that the news is being given by governments who are waging war doesn't seem to worry many journalists too much.
Not only do journalists not have a responsibility to report what skeptical scientists have to say about global warming. They have a responsibility not to report what these scientists say.
I posted some story about the Arizona State baseball coach getting into a fight with an autograph hound, and it was a disastrous thing. The guy rescinded his story. It proved to me that I'm not cut out to be a proper journalist. I'm much better sitting around and making fun of journalists and telling them what terrible journalists they are than being an actual journalist.
Sometimes journalists ask me, "What's the message?" There is no message. I think that fiction should not be trying to give messages. Just tell a story.
Moving forward, investigative journalists need to train themselves to be media amphibians - just as comfortable with the classic verities of great journalism as they are with video, Twitter, Facebook, and, most importantly, citizen journalism.
Citizen journalists can attend events traditional journalists are kept from - or have overlooked - or find and highlight the small but evocative story happening right next door. By tapping this resource, news sites can extend their reach and help redefine news gathering in the digital age.
It's harder now for journalists to do stories about billionaires, like Peter Thiel, without having at the back of their minds the fear that maybe somebody deep-pocketed, you know, with limited resources is going to come after us and can my organization afford to defend me?
I'd entirely forgotten about Pass The Distance, and then I went to Japan in 2000, and was asked to do interviews with all these journalists, who were showing up with bootlegs of this record, asking me to talk about it. I was astonished. It kind of gained momentum.
We drank quite a lot and Tony Harrington said, "We're thinking of starting a record label at The Wire; how about you do a solo record?" I said, "Well, how am I going to do that?" I thought about it, and I'd been working on a lot of music in the years before, and I was working as a journalist, full time, really, up until that point; in whatever little spare time I had, I was working on music. So I said yes.
I feel that the term "new age" is used by basically hostile media to diminish and marginalize a conversation that is very significant. It's held in place by journalists who are constantly looking for hooks and sound bites to keep them from having to make the effort of a deeper understanding and a more profound level of communication with the public.
I think the media has become incredibly corrupt. We used to have a profound tradition of investigative journalism in the United States. Some journalists were real heroes, such as Bob Woodward who helped uncover the Watergate scandal. But today he is leading the opposite charge, trying to bring down the careers of people and score easy victories. In other words, those who used to bust the status quo have now become the status quo.
I used to go into rooms of older executives and try to pitch talk show ideas and when I was writing as a journalist I would pitch ideas for my articles and I definitely understand that excitement of a pitch and what that is to be young and a woman and trying to make your voice heard.
It's easy to get young gay men to tickle each other, right? Let's come up with a challenge: Let's get heterosexual men. How do we do that? We make it a competition, because then it's not gay. That explains the antipathy behind the gay-journalist comment.
We wrote about having five kids and bringing them to church. A journalist at The Washington Post wrote this article where the headline was "The New Catholic Evangelism Of Jim Gaffigan." And it was a bit terrifying.
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