The Korean War has also show quite clearly that in a major conflict manpower is as important as horsepower.
When I do an Asian character or an Asian voice I'm doing one because that's my heritage and my family and where I come from. My family is of Korean descent and specifically North Korean descent. So it makes sense for me to talk about that issue because it's the only weapon I have to somehow avenge my family and my history.
It makes it very hard to say what you believe in and not be attacked for it. And it's not fair; I'm Korean, but I'm not supposed to talk about my experience and my life? It's unaccepting.
I never had the chance to decide; I was drafted to serve my nation. While I received a deferment to attend school, I ultimately served in the United States Army in the years following the Korean conflict.
This is America, where a white Catholic male Republican judge was murdered on his way to greet a Democratic Jewish woman member of Congress, who was his friend. Her life was saved initially by a 20-year old Mexican-American gay college student, and eventually by a Korean-American combat surgeon, all eulogized by our African American President.
I used to do Korean classical music and started training to join an idol group after someone set me up an interview with my current agency. The common thing between Korean classical music and becoming a singer is that I get to go on stage which why I decided to get professional training for K-pop music without holding any bias.
Everybody wants to have sex - you don't have to have a baby when you're 16. You don't have to do drugs. I think our Sunday schools should be turned into Black history schools and computer schools on the weekend, just like Hebrew schools for Jewish people, or my Asian friends who send their kids to schools on the weekend to learn Chinese or Korean.
I was a lost child. I wasn't accepted in the black community because I was Korean, and I wasn't accepted in the Korean community because I was black
I brought in two genius guys from Korea. Guys who did my favorite movies like Oldboy and The Man from Nowhere. It was fun working with them. Even though they don't speak Japanese and I don't speak Korean, I knew from day one we were speaking the same language because they love my work and I love theirs. We instantly connected. There was zero frustration.
I play Sun-Hi, a Korean-American girl who is a social media expert and dreams of becoming a worldwide star. Being on Make It Pop is so much fun because we get to sing dance and act all in one production which is a dream come true! Working with the cast and crew is also a blast!
The two-war strategy was a product of the cold war, when we had to have the ability to fight the Russians on the plains of Europe and fight the Chinese on the Korean peninsula at the same time. That costs an awful lot of money.
I'm smart cause I'm Korean, I'm not so smart cause I'm from the south. They cancel each other out, so I'm even.
So, I'm from the South. So I guess that makes me South Korean.
I love entertaining Korean people with traditional songs from Ecuador . It has been an exceptional, new experience for me to perform in Korea and I enjoyed so much.
My pacifism came after I joined the army and was shipped over to Korea. There was a little one-room orphanage there called Song-do. There were 180 babies in there, and they were GI babies. The U.S. government would not acknowledge this, and the Korean government had nothing to do with them. They were living on a 100-pound bag of rice a month. Some of those kids, when they were old enough, would go out and shine shoes. They would show up at the gate of our compound to shine shoes, and you'd swear they were looking for their fathers.
We must work with the Australians, the South Koreans, the Japanese and the Filipinos to contain China. And then we must ask for their support and their help with North Korea. Because believe it or not, China is as concerned about Kim Jong-Un as we are.
As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
Living in South Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university and in the Korean literary world I am involved in.
Women in Korean myths disappear after giving birth. The reason they were born is to produce sons.
When I became a poet, the Korean literary world expected women poets to sing passively of love. Naturally, this was not written anywhere, but this rule existed nonetheless. Consequently, I received plenty of serious criticism.
Speaking as an outsider is the most authentic voice for a poet. Poets who have one hundred thousand or one million readers [as many South Korean poets do] might not be a real, authentic poet.
It is difficult to disturb the common usage of Korean that is bent to the perspective of a male-oriented society. Korean society is based on both a politics and history that have been disguised as a solid society of solid male poems, a solid written language, fixed rules of how to write literature, and a narrative language.
Korean feminism is on the brink of death. Korea has a less clear boundary between popular literature and serious literature than in other countries. I feel that feminism is abandoned like a product that was a craze in the past.
Korean feminism has been swept away by popular culture. It became a sort of old-fashioned trend or a joke.
It seems Korean women are enjoying a passive and fragile status, intoxicated by appearance. Not only feminism, but any serious discourse ends up being swept away by popular culture in Korea.
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