So, I'm from the South. So I guess that makes me South Korean.
I love entertaining Korean people with traditional songs from Ecuador . It has been an exceptional, new experience for me to perform in Korea and I enjoyed so much.
My pacifism came after I joined the army and was shipped over to Korea. There was a little one-room orphanage there called Song-do. There were 180 babies in there, and they were GI babies. The U.S. government would not acknowledge this, and the Korean government had nothing to do with them. They were living on a 100-pound bag of rice a month. Some of those kids, when they were old enough, would go out and shine shoes. They would show up at the gate of our compound to shine shoes, and you'd swear they were looking for their fathers.
We must work with the Australians, the South Koreans, the Japanese and the Filipinos to contain China. And then we must ask for their support and their help with North Korea. Because believe it or not, China is as concerned about Kim Jong-Un as we are.
As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
Living in South Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university and in the Korean literary world I am involved in.
Women in Korean myths disappear after giving birth. The reason they were born is to produce sons.
When I became a poet, the Korean literary world expected women poets to sing passively of love. Naturally, this was not written anywhere, but this rule existed nonetheless. Consequently, I received plenty of serious criticism.
Speaking as an outsider is the most authentic voice for a poet. Poets who have one hundred thousand or one million readers [as many South Korean poets do] might not be a real, authentic poet.
It is difficult to disturb the common usage of Korean that is bent to the perspective of a male-oriented society. Korean society is based on both a politics and history that have been disguised as a solid society of solid male poems, a solid written language, fixed rules of how to write literature, and a narrative language.
Korean feminism is on the brink of death. Korea has a less clear boundary between popular literature and serious literature than in other countries. I feel that feminism is abandoned like a product that was a craze in the past.
Korean feminism has been swept away by popular culture. It became a sort of old-fashioned trend or a joke.
It seems Korean women are enjoying a passive and fragile status, intoxicated by appearance. Not only feminism, but any serious discourse ends up being swept away by popular culture in Korea.
Any online gamblers here? Well, Congress is looking in shutting that down.There's going to be a massive congressional investigation of online gambling and they're going to shut it down. And when they get done with that, they're going to look into this North Korean thing.
All of which suggested literary translation, and Korean seemed a good bet - barely anything available in English, yet it was a modern, developed country, so the work had to be out there, plus the rarity would make it both easier to secure a student grant and more of a niche when it came to work.
Hwang Jung-eun is one of the brightest stars of the new South Korean generation - she's Han Kang's favourite, and the novel we're publishing scooped the prestigious Bookseller's Award, for critically-acclaimed fiction that also has a wide popular appeal. She stands out for her focus on social minorities - her protagonists are slum inhabitants, trans women, orphans - and for the way she melds this hard-edged social critique with obliquely fantastical elements and offbeat dialogue.
You know if you're in Rome, live in the Roman way. I grew up there, I was born there, and so I should follow its guidelines, live like a Korean. And I really love Korea. I grew up listening to Korean music, and was able to get to where I am because of it.
As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind, crazy people, and my grandfather's death. During my long period of observation, I felt that something like poems were filling up my body. They were in some kind of state and condition that made them difficult to render into words. As a university student, I tried hard to write them in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
North Korea and China have proposed what sounds like a pretty sensible option that North Korea should end its development of nuclear weapons, the US should stop carrying out hostile military maneuvers on the North Korean border. The US immediately rejected it. Modernization program is a very clear example of how security doesn't matter. There is no gain in security but massive overkill of the adversary's deterrent capacity. The only consequence of it is to elicit the likelihood of a preemptive attack. And a preemptive attack leads to a nuclear winter world.
As a child I always loved traditional Korean masked dances. There is something magical about a mask because we all wear or hide behind a metaphoric mask, and ultimately underneath this metaphor is our true vulnerable core. I think we all want to reveal ourselves but can only do so when we feel we are safe.
Where are the Black businesses? They're not here. The Koreans are here, the Chinese are here, the Arabs are here, the Indians are here. Everybody that wants to make a dollar is making a dollar on our lack of thought to do something for ourselves that was not present in that older generation that came from the South.
If a North Korean ballistic missile can reach Alaska, it can reach Vladivostok.
One of my favorite episodes in West Wing was the homeless man that died and they found, in the overcoat he was wearing, a card of the speechwriter, Toby. He had given that coat to the Goodwill and this guy had ended up wearing it, died in it and Toby went to his funeral. He turned out to be a Korean war veteran. It was our first Christmas episode and that was a true story - a member of the staff had done exactly that. So many of these stories were far better than any fiction.
In the past, Koreans have mostly copied other countries' engines, and so there's been kind of a problem with quality and a real limit on what they could do with that.
After listening to the radio, I learned what the North Korean government had been telling us about the war was not true. This myth allowed the North to hold the South responsible for the war.
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