I would say my life experience has involved dealing with people very close to me that have died.
I feel blessed to have had the accumulation of life experiences that I've had, life experience just adds to the depths of a persons richness, as with acting!
It's a piece that is so interactive, and relies so much on these five men in the room, that I think will appeal to the life experiences every person has, in some small way. Every aspect of the play will in some way touch somebody or they'll know someone that has a likeness... very representative of real life.
I'm a pretty young person, but I think you need a little life experience to actually say something.
I think there are different kinds of poetry for different stages of life and there's the wild, exuberance of youth, there's the painful agony of midlife experience, there's the late poetry in the presence of death.
Your ultimate life experience and legacy is being built moment by moment, day by day. Your story is being crafted by your every action, all leading somewhere, all leading to what one hopes will be a magnificent crescendo.
I have friends who were friends of mine before I did music and they are my friends now, and we share life experiences. It's no fun unless you're sharing with people, looking out for them as they are looking out for you.
The message I'm trying to say is that I'm tough because of life experience.
Because we all come from different circumstances, our life experiences really color how we view things.
It is my feeling that a story is not finished until it is read, and that the reader finishes it through his or her life experience, prejudices, worldview and thoughts.
I feel as though I have lived many lives, experienced the heights and depths of each and like the waves of the ocean, never known rest. Throughout the years, I looked always for the unusual, for the wonderful, for the mysteries at the heart of life.
Once in a while, our thoughts drift and fade, back into the recessed hiding places where our memories are stored. At times we recall them- the memories of our loves, our youths, our life experiences. These dreams appear to us, and for seconds, minutes, or hours we are there once again.
I was a child but weirdly uninhibited. I talked to people and inserted myself in all kinds of absurd situations. I think some of those life experiences influenced me in terms of the main character of The Flamethrowers. But for the parts where the community of artists are speaking above her level of participation, that probably came more out of my experience of being in New York in the '90s as an adult.
I'm only 13, so I can't say "life experiences." So, basically, I had to... act! I had to make up character that is very old. I guess that's why they call it acting - you do draw from some stuff in your life, I guess, but it's not real life. You have to fake it.
I have a philosophy, folks, and it's based on my own life. I'm using my own life experiences to philosophize about things in general. It has to do with desire.
What people don't understand about making a film is sometimes your experience on the film shapes who you are. You're gone to another country for five months, maybe more, there's training leading up to it... It's a whole life experience that people don't see because they just see the final product wrapped up in a couple hours. You don't see everything that happens around it. I think it's hard to say one movie or one thing; I think they all shape who you are.
I try and create for the audience something that relates to real-life experience. When you're meeting somebody for the first time, all you have to go on are your preconceptions and your stereotypes and whatever else, but gradually as you get to know them, they change. They become more three-dimensional, and you start to see them in layers.
When a person looks at a photograph you've taken, they will always think of themselves, their own life experience. They will relate your photograph to their memories. That interplay is where a picture comes alive and grows into something. They function like invitations.
Before World War II, I was living a very cloistered existence, as most cartoonists do. The work I was pouring out did not come from any real, personal life experience; this was all the residue of the accumulation of Rafael Sabatini, O. Henry, all the short-story writers that I'd been reading.
There is an investment of your own life experience in something as innocent as colour.
The broader one's understanding of the human experience, the better design we will have.
Do not follow where the path may lead.
I am worthy of attracting unlimited abundance and prosperity into my life, regardless of what life experiences have gone before me. I only reinforce and contemplate images that are in harmony with this vision.
Since - in my belief system - we each get only one go-round here on planet Earth, it is the task of the writer to interpret, examine, and reflect on the specifics of their one and only life experience.
I have finished school and so it's becoming a real job, and as an actor, you cannot always just play roles. To me, it's important to live, to be who I am and then to get out of that, because when you play a role, it's always a bit of yourself. Okay, you can get some things, but that's why it's so important to gain life experience in order to act - it's important to care about this.
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