I'm interested in the feeling of getting to zero after a play, like you're never going to do it again. That's a really scary feeling.
There is a sort of backlash of people who feel like you're not representing them accurately, and you want to say as elegantly as you can, "I wasn't trying to represent you I, was just doing what I could do to make being alive easier for me." And if it helped anyone or made them feel comforted in the process then it's the greatest thing you can ask for.
I think it's more difficult writing what it's like to be a child. You can pretend you know what it's like, but you don't really know. The only parts I can remember is that the adults were like, "Aren't they cute?" But when you're little you're looking at the other kids like they're your colleagues. They're not like, "Oh, we're all cute little kids." They're more like your office acquaintances. It's very hard to grasp the memories of what it actually was like to be a kid.
I want to utilize social media to elevate the consciousness of those people who feel like all they want from social media is to be famous. Like, you can actually be a voice. You can actually say something that's inspiring and not just make people feel like you need to buy things and be a certain way.
We have so few unaffiliated public intellectuals now - people who are not beholden to a think tank, corporate-owned media, or academic department - and even many literary writers look and behave like young urban professionals and canny careerists.
[Virginia Madsen] big part in that movie ['Class'] required her shirt to get ripped off, and looking back, it couldn't be a more egregious, vintage, lowbrow, 1980s Porky's-esque, shoehorned-in moment. Like, you would never have that moment in a movie that aspired to be what that movie did today.
I think my first hit was the first song I ever wrote. I actually wrote it in 2005 in college. The title of it is called "Ain't Ready”. It's just talkin about the relationship with a man and a woman, or even a woman and a woman; however you wanna look at it, and just that feeling of feeling like you're not ready for love and the other person is pushing for something that you don't want. I think that's something that a lot of people can relate to.
My sense is that beautiful women are living in a different world than I am, and that it's a world with benefits but also drawbacks - like, you're on a ticking clock, because the day you stop being supermodel-beautiful is the day that everything the world has to offer you is no longer being offered.
I don't think people are like, "I'm going to save the planet by planting my own herbs." But on environmental issues like climate change, there's a sense of hopelessness and despair. Maybe it's really a small gesture but if you can have a garden it may make you feel like you're helping in some way, or that you're making a connection. You can't change the world but you can change your backyard.
In L.A., there could be a million delusional comedians or actors and they all blend in together and no one is ever like, "You're living a lie." But if you're in a small town and you're like, "I'm the funniest person here," but you're not that good, everyone's going to notice and call you out on it.
I was a fan of Charlie Sheen - he's an incredibly likable, affable guy - well, until he doesn't like you.
It's harder to work with people who are not as dedicated to their craft. It also leaves you a better actor when you finish the project, since you always feel like you've learned something.
If there's not someone in your social circle who doesn't look like you, then shame on you.
All I'd ever heard my entire life in my family was, "Nobody wanted you, and we took you in." When you get that into your head at a tender age, you really feel like you are an unlovable human being, and then you behave like one. That's exactly what I had done. It took me many years to deal with my own violence and find my own niche.
I really feel that actors should really know who they are as characters; they should really study their lines; they should be prepared; but once they come to set, for me the most exciting way to shoot a scene is to really find it, really kind of grind your way through it, until you feel like you have something that you can put together.
What's most troubling is the open water swim. It's windy, the waves are getting in your face and the water is a bit dirty. And there's silly things like you can't touch the bottom if you swallow a mouthful of water.
It's really on the streets, if I'm in a car, or I'm walking by, and I see a girl. And you can see it, on her face, you can see it in her step and the way that she moves and flows, and you're like: "You go girl." And it's fun, and sometimes you just have to go up and be like, "You look fantastic!"
The music I was always attracted to and the shows I was really into like, you know, those weekend Don Kirshner shows, "Midnight Special," those shows, I remember watching those and the music was just on; it was the greatest radio stations.
All you do is you go back to the Maida Vale Studios at BBC in London, and it feels like you're in a spaceship. It feels like you're in 2001 or something like that. It's massive and well constructed and highly technologically advanced and occupied by these wise scientists, engineers, and producers. Listening to it, it just doesn't sound like me - that's a younger self that didn't know who he was or what he was doing. I can't identify with a nebulous cloud.
I'm never very good with marks. They're always like, 'You're not on your mark'. I was like, 'Oh, it's that thing you put on the ground? Yeah, I don't pay attention to it.'
I could only shoot when the subway was on the other platform. Little things like that, and the platform is very narrow. It's not like you can hide if a subway comes so a lot of things happened because of that. Or a thousand people just came and looked straight into the lens like they didn't expect a movie to be shooting.
I don't have the faith now. I certainly believe in Jesus - you know, that he existed and he was a very nice man. And who can disagree with a simple philosophy of treat other people like you'd like to be treated yourself? It's absolutely - nothing I can disagree with that.
Basically, there's a good friend of mine who works at EMI Publishing, a publishing company. He had asked me - he was like, you know, do you know this girl, Amy Winehouse? She's in New York for a day. She's kind of meeting people to maybe work with on her second album.
I was very briefly under contract to Disney Animation, to develop ideas for animated features. They don't like you to use the word "cartoon" around there.
You need to just understand where the ball is and how to use your body. Timing your jump the right way is crucial. Learn how to use your body to shield the receiver and box him out, again, much like a rebound. Trying to beat a receiver to a ball can be a lot like you're posting him up. Rebounding is great practice because you can employ those skills - body position, leverage, timing - a lot more than you might in a football game or practice if the quarterback doesn't look your way.
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