The hardest thing for everyone, for the writer, for the director and certainly for the actors, is not to panic when they're doing a certain line for the tenth time because everything ceases to be funny after it's been repeated.
Even one word, or certainly one sentence, should be able to describe the basic characteristic that the scene has, or the character has, or the story has. And then you begin to detail that one spine, and you have offshoots from that spine, and it becomes more and more complex, but all of it stems from that one-word, one-line theme, which can give the character, the scene, or the play its uniqueness.
A bad song, the three best singers in the world cannot save it, and that's the bottom line.
I wanted to take my writing to another level. I wanted to write stuff that was personal for real. It's one thing to write a lyric that sounds nice in that line - that's not very tricky - but it's a different thing to write something that sounds nice and actually comes from someplace real.
The more lines I have, in general, the worse a movie is. It's very rare that I get say great things in fantastic movies. So if you see me as like, number one on a call sheet? In general, that movie is pretty bad.
Surfaces reveal so much. The marks painters make reveal so much about their work and themselves; their sense of proportion, line, and rhythm is more telling than their signature. Looking at the surfaces of nature may offer equivalent revelations. What do these shapes and patterns reveal about the world and their creator? Surfaces hide so much.
The first and most important thing is to remain free, free in each line you undertake, in your ideas and in your political action, in your moral conduct. The artist especially must remain free from all outer restraints.
The invisibility of work and workers in the digital age is as consequential as the rise of the assembly line and, later, the service economy.
When someone else's safety and acceptance in society is on the line, your personal discomfort comes in a very distant second.
All State education is a sort of dynamo machine for polarizing the popular mind; for turning and holding its lines of force in the direction supposed to be most effective for State purposes.
Education should try to lessen the obstacles, diminish the friction, invigorate the energy, and should train minds to react, not at haphazard, but by choice, on the lines of force that attract their world. What one knows is, in youth, of little moment; they know enough who know how to learn.
During all those years of experimentation and research, I never once made a discovery. All my work was deductive, and the results I achieved were those of invention, pure and simple. I would construct a theory and work on its lines until I found it was untenable. Then it would be discarded at once and another theory evolved. This was the only possible way for me to work out the problem.
Christmas is a season of such infinite labour, as well as expense in the shopping and present-making line, that almost every woman I know is good for nothing in purse and person for a month afterwards, done up physically, and broken down financially.
Because in this world, there is a line: on one side are the men who cannot get things done, and on the other side are the men who can. And not one in a hundred will cross that line. Will you?
I believe in serendipity, but I also believe there are times when you have to be the one who lines up everything so it can fall into place.
I'd love to do a fashion label in the future. I've been thinking a lot recently about maybe making a line of little dresses, so maybe one day.
Space doesn't just encompass the sublime and the ridiculous. It erases the line between.
It's rare to work on a series without a writer. If you have a question about a line, then phone calls have to be made.
Strange priests are they who never straightly walk But all aslant through sideways passage stalk Who never seek their goals in forward lines But move askew as fraught with sly designs
From the opening lines, Sleeping with Schubert is a hilarious, whimsical romp through the looking glass of a great musical mystery. The writing snaps, crackles, and pops with humor as Bonnie Marson makes Schubert a sexy, happening kind of guy who gives new meaning to our dreaming the impossible.
Songwriting and poetry are so commonly birthed from underdogs because one can make even the ugliest situations admirable, or more beautiful than the beautiful situations - they are the most graceful media in which the lines of society are distorted.
Who can attain to anything great if he does not feel in himself the force and will to inflict great pain? The ability to suffer is a small matter: in that line, weak women and even slaves often attain masterliness. But not to perish from internal distress and doubt when one inflicts great suffering and hears the cry of it that is great, that belongs to greatness.
Who aspires to remain leader must keep in advance of his column. His fear must not play traitor to his occasions. The instant he falls into line with his followers, a bolder spirit may throw himself at the head of the movement initiated, and in that moment his leadership is gone.
A man is a golden impossibility. The line he must walk is a hair's breadth. The wise through excess of wisdom is made a fool.
The longer our graduation lines are today, the shorter our unemployment lines will be tomorrow.
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