Community means people spending time together here, and I don't think there's really that.
I don't know whether a poem has be there to help to develop something. I think it's there for itself, for what the reader finds in it.
Poetry seems to have been eliminated as a literary genre, and installed instead, as a kind of spiritual aerobic exercise - nobody need read it, but anybody can do it.
Translation is an interestingly different way to be involved both with poetry and with the language that I've found myself living in much of the time. I think the two feed each other.
The pleasure that I take in writing gets me interested in writing a poem. It's not a statement about what I think anybody else should be doing. For me, it's an interesting tension between interior and exterior.
The pull between sound and syntax creates a kind of musical tension in the language that interests me.
The relationship between reader and characters is very difficult. It is even more peculiar than the relationship between the writer and his characters.
I was never a true journalist, I was a movie critic.
Secret families are really the bedrock issue of Western literature.
The adolescent protagonist is one of the hallmarks of American literature.
To me, this is the singular privilege of reading literature: we are allowed to step into another's life.
I am always coming up with architectural metaphors when I think about writing. But I think one of the things that draw us to literature is that it gives us this very attractive illusion that there is meaning in the world - things connect.
Whilst in Prussia poets only speak of the love of country as one of the dearest of all human affections, here there is no man who does not feel, and describe with rapture, how much he loves his country.
The church of St. Peter at Berlin, notwithstanding the total difference between them in the style of building, appears in some respects to have a great resemblance to St. Paul's in London.
I never saw anything that would qualify as a criminal activity.
The fact of the Watergate cover-up is not nearly as interesting as the step into making the cover-up. And when you understand the step, you understand that Richard Nixon lied. That he was a criminal.
It is not sex by itself that interests me, but its particular role in American consciousness, and in my own life.
And some poets are far better read off the page because they're very bad speakers. I'm thinking of one in particular whom I won't name, a good poet, and he reads in such a dry, boring way, your eyes start drooping.
And the second question, can poetry be taught? I didn't think so.
I never think about poetry except when I'm writing it. I mean my poetry.
I only keep books that I like very much. Otherwise I'd throw them out.
I was very interested in American poetry for many years. Much less now.
People haven't got the interest in long long works these days. A lack of interest which I share.
In fact a lot of them I think are absolute baloney. Those Charles Olsens and people like that. At first I was interested in seeing what they were up to, what they were doing, why they were doing it. They never moved me in the way that one is moved by true poetry.
It's like breathing in and out to me. It's like having a conversation with someone who isn't there. Because it has to be addressed to somebody - not a particular person, or very rarely.
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