I actually acted onstage before I'd ever seen a live performance, and I loved it.
For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
Music gets recorded usually in one format, and when you have to take it out and perform it there are other applications and things like that that are better for the live performance.
The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
I love musical theatre because I love doing a live performance eight times a week.
I mean, there's definitely a difference between film and live performances or live television. But at the same time, it's just performing. No matter what, it's performing.
In order for my live performance to work, which is about generating a focused energy for about an hour and a half, it is necessary for me to listen and take in someone else's focused energy the day of or the day before the live show. That can transpire through a conversation, or inspiration can occur by looking through any type of visual book which sparks a narrative. That narrative then becomes today's seed and can then take root in music terms, where a sonic tree begins to grow.
I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.
In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.
When I'm preforming a lot I'm aching to get back in the studio but I love live performance. I love trying to think on my feet and be spontaneous. I like doing that in a live show and I do the same thing in the studio.
I'm actually looking for a gallery, but the thing is some galleries just want to show the video work and some are just interested in the 2-D work. It has to be a gallery where I can do the 2-D collages, the video, and live performance, where it's not this weird conflict, where it can all move forward.
I guess I cringe, because sometimes I don't even watch my live performances back. When I edit, it's this feeling of seeing my mistakes. It's always a mixture of loving characters, but being the artist that created it and not trying to go too deep in criticizing myself.
The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.
Three languages - the video, the music and the live performance - are awesome to bring together.
I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.
There's nothing like watching a live performance of, frankly, anything. You have to make sure that people believe everything is improvised. I could not stress enough how little we [actors] prepare and what small amount of time we put in before these shows.
I do an improv show on Sunday where we have a class, and then afterwards we go and do a live performance in front of an audience.
The ephemeral nature of live performance is the part I love most - it's a monk's sand painting, carefully constructed, then wiped away in an instant.
I'd gone through periods where I didn't work live performances for probably seven or eight months at a time.
I don't ever want to stick myself in one category. I do really love making movies, but the thing about live performances is you don't have to wait around. Literally, we're still waiting to see what the reaction is to the film, so it's a slower process. But it is enjoyable.
Learn as much as you can about performing. Live theater, improv classes, music, stand up comedy, dance, anything to make yourself confident and comfortable in front of an audience. It'll all come in handy when auditioning for producers and performing with other actors. The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
The old forms of entertainment are not extinct. Live performances are the pinnacle. If you can something that people want to see live, then you have a great career.
I don't particularly love live performance of my music. I love writing and recording, but you can't make money off of that.
I like the energy of live performance.
I used to be a drummer in a band, and I really loved playing the drums, so I look forward to the right opportunity to do that at some point. Maybe even on TV. Every single live performance I'm doing on TV, I want it to be different and unique.
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