Dead voices, lost sounds, forgotten noises, vibrations lockstepping into the abyss and now too distant ever to be recaptured!...What sort of arrows would be able to transfix such birds?
The only advice that I'm in the mood to give - and that I give regularly - to young people is this: fight for what you believe in. You will lose, just like I have lost, all the battles. But only one you may win. The one that you engage every morning, in front of the mirror.
I have a need of silence and of stars. Too much is said too loudly. I am dazed. The silken sound of whirled infinity Is lost in voices shouting to be heard.
Love is spontaneous and craves expression through joy, through beauty, through truth, even through tears. Love lives the moment; it's neither lost in yesteryear nor does it crave for tomorrow. Love is NOW!
I stopped working a few years ago because I just lost a spark that I'd had before. I thought I'd just try writing, and maybe start directing, but I did it very quietly.
If I stayed here, something inside me would be lost forever—something I couldn't afford to lose. It was like a vague dream, a burning, unfulfilled desire. The kind of dream people have only when they're seventeen.
I don't find inspiration by just sitting down with a guitar anymore. I lost that. I started being so interested in other kinds of music.
Major labels just lost their way. It's like the housing bubble. They lost a sense of the fundamentals.
I had Paterson, and The Art Lover, to guide me for The Tales of Horror (written from 1988-'97 and published in 1999), but I still was so lost, back then, as I tried to understand what I was writing and how it went together. There was a draft of that manuscript that had all these brightly colored paper clips on the pages so I could visualize what I saw as the book's themes and threads - that was a long time ago.
I remember watching Romeo + Juliet when I was 14 and listening to the soundtrack. When I hear that soundtrack now, all those emotions come back. It's really beautiful when you're at a certain point in your life where most of the adventure lies ahead of you. And it's a sad thing when you feel like you've lost that. But you can get it back.
It's clear that North took some original steps in that direction, but Hall probably had the most complete approach and should get the most credit. But for Hall, unfortunately, the data are all impressionistic - what people said. None of his machinery survived. His patents were all lost in the Patent Office fire.
The economy is very sick. We're losing our jobs to China to Japan to every country. We're making horrible trade deals. We are losing jobs in this country. Hundreds and hundreds of thousands of jobs are being lost. And part of the reason is our taxes are so high in this country. I'm also cutting, you know they don't talk about that.
Look, look, Jeb [Bush] said we were safe with my brother. We were safe. Well, the World Trade Center just fell down! Now, am I trying to blame him? I'm not blaming anybody. But the World Trade Center came down. So when he said, we were safe, that's not safe. We lost 3,000 people, it was one of the greatest - probably the greatest catastrophe ever in this country if you think about it, right?
The motivation comes from the embarrassment of having lost and the way it sits with you.
I think after doing Push and Shove and having it not be successful, I lost a lot of confidence. Songwriting, for me, has always been traumatic, and I've always made all these excuses. But I've realized that you have to just accept that it was a gift: "I don't know where it came from, I don't know how I did it, but I did write all those songs, and I gotta do it again."
If it wasn't for this person's privacy, I'd be able to talk pretty freely about this subject on a personal level. The record's about not her. It's about my struggles through years of dealing with the aftermath of lost love and longing and just mediocrity and just bad news, like life stuff. And in the [record], where the title comes from, the lyrics are actually a conversation between me and another girl, not this Emma character.
When I was writing the book, I thought "Who wants to hear another story about some actor who lost his way?" But my story is a little unique in that I realized when I was 14 years old that I was different. I think a lot of gay people use drugs and alcohol to quell that fear and shame - especially people of my age.
I think I was annoyed going through the '90s just as a guy who loves music. There wasn't a lot of music for me. Everything was groove driven. We lost the plot with the melody. There's no more melody.
Nobody really wanted to do that one European tour. For one, it was budgeted to lose money. They would've made something, but I would've lost a lot of money.
Honestly, I was just happy to get the work. I was chuffed to bits. I know David Furnish and Elton John a bit and I remember David talking very excitedly about it. This was going back four or five years even, when we were doing Little Britain at the Hammersmith Apollo. I'd lost my voice that night, but still did the show. I remember thinking: "God, they're going to think that's my voice and I'm not going to get in the film!" But it's just been a pleasure to be a part of.
One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.
What one realizes there is that we are not in control of the [reddit] community, in any way, shape or form. We have no power over it and so we've lost this total control.
It was a very big gamble. I lost my job in France, I received a job in which was extremely uncertain, how long would IBM be interested in research, but the gamble was taken and very shortly afterwards, I had this extraordinary fortune of stopping at Harvard to do a lecture and learning about the price variation in just the right way.
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