You can't show somebody what it's like to experience loss, but you can soundtrack it and help them experience their own loss. I am so lucky to have this venue to be able to say and talk about all the stuff I've been through.
It's a struggle. It's really, really hard. I'm already nervous for my next one. You have to put more and more movie stars in movies these days. And of course, I would like to have more than $3million to make it. But, again, if that's what I was offered I wouldn't turn it down. I guess studios know that. But I'm one of the lucky ones, I guess.
Well, I tried being in front of the camera as a student and that was terrifying. But the press stuff about me growing up on his [film] sets has been exaggerated. I was an extra as a kid and I was also a PA [production assistant] on one of his movies, so I was lucky to get production experience. But I was nowhere near him.
You have to ask yourself the question, do you have the smartest people in the world working for your company? And if you do, you're lucky. But if you don't, put up the incentive. And have someone who is absolutely brilliant who's a 22-year old in India who says what about this way? And who revolutionizes the way you do business.
I have been very lucky, I have won prizes and I've even won the lottery.
I'm very lucky that I've worked mainly with two amazing photographers in David Sims and Steven Meisel.
We were very, very lucky being in the first round of Y Combinator because that alone generated a lot of interest. A lot of readers of Paul Graham were just excited to see what was going to come up. And we were the first ones to launch.
I've been very lucky to work with many amazing animators and directors who can interpret and extend the music I make. When it's done well, it can create extra meaning and new context for the song.
I was in a business for years where the stylist styled me, and I was wearing things from other designers. I was just there to be a conduit to those things. To be lucky enough to be embraced, having branched out from being a model, has been the greatest gift ever.
I've been lucky enough to be part of some great ensembles in theater - I'd been doing theater since college.
I'm very lucky in that I still experience highs and lows. And I think those lows are important. But I am not totally paralyzed, and it keeps me from just complete state of paralysis - and emotionally and really kind of almost physically.
I basically had the same body when I was 14 and that was weird. But I think I had really good parents. I got really lucky.
What would have happened if Derrick Rose had torn his knee in college, or Greg Oden? It would have cost them millions of dollars. They were lucky, coming out early. I'm not saying don't go to college. There are plenty of players like Shaq [O'Neal] who went back and graduated. I commend that. But do it at your leisure - don't hurt your finances.
I got lucky because I never gave up the search. Are you quitting too soon? Or are you willing to pursue luck with a vengeance?
The good news for me is that I have an amazing team behind me, and they've been with me for 20 years now - almost 20 years. And they have seen me as an actress, not necessarily just a black actress. So I have been lucky enough for them to see me that way.
I think I've been lucky in the regard to have a team that sees me as an artist.
I'm really lucky because my mom is a good beauty muse.
Because I'm 44, I feel kind of lucky that I lived through this period where I started my career where there was no Internet at all, and now when I finish it, there will be nothing but the Internet.
I was lucky, from the age of 12 I had boxing talent and was good for my age.
You see people - maybe in a frustrating fashion - that don't get embraced, when they should. You get some people who get embraced too early, and they tend to flame out, but it's really rare that someone gets lucky. It's usually a combination of a lot of talent and a lot of hard work.
People who get lucky, also tend to be really great looking, which is luck on some level, but it is also just the fact of the matter.
There are many hundreds of millions of people who have jobs harder than (mine), and I also remind myself of that every day. No matter how frustrating this can be, I am very lucky that I have been able to cobble together a little life, in which (comedy) is what I do. I am certainly not in danger of getting stuck in a mine anytime soon.
We were friends with Jonathan Demme. We were all down on the West Side of New York, and I think I met Kurt Vonnegut through Edith Demme. And then I was lucky to do Who Am I This Time? 1982, which was an adaptation of his short story that Jonathan Demme directed with Chris Walken and I, and that really cemented the friendship.
When you present works of art, one thing I've learned is that if you're lucky - [Laughs] - there will be those few people who, shall we say, get it? Really become engaged, become moved by it in their own way. You cannot control what other people are going to think about it.
I am a very lucky artist in the sense that I have had all my life a lot of opportunities to do what I want to do.
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