There are little things that get on my nerves, like people who have reading material in their powder room. When you go in someone’s house, and next to the toilet they have a huge basket of magazines, I find that repellent. I recommend against straining while reading.
We are such materialists that all our metaphors are going to be material.
Sometimes you find that there is better material in small and more independent movies. There's more risk-taking.
The only way to build a fan base is to have a lot of material out there for readers to find. You can't manufacture a fan base. You create it, one story at a time.
You could say that my aim is ‘to recover the place’. The place is a result of nature and time; this is the most important aspect. I think my architecture is some kind of frame of nature. With it, we can experience nature more deeply and more intimately. Transparency is a characteristic of Japanese architecture; I try to use light and natural materials to get a new kind of transparency.
Some parents place undue priority on temporal and material possessions. Some are far less diligent in their efforts to immerse their children in the gospel of Jesus Christ. Remember that having religious observance in the home is as important as providing food, clothing and shelter.
Archaeological materials are not mute. They speak their own language. And they need to be used for the great source they are to help unravel the spirituality of those of our ancestors who predate the Indo-Europeans by many thousands of years.
Paper is the strongest material in the world. Things under which a mountain will crumble, you can place on paper and it will hold: beauty at its most intense; love at its fiercest; the greatest grief; the greatest rage.
Paper is the strongest material in the world; paper can handle what I can't.
Because life is short. I feel we’re made of a hunger, a desire for life – if that can be described as a material. As I get older, I’m trying to open that channel more. If you don’t, if you close off desire and get complacent, life loses its freshness and sweetness, and that’s what I crave. That’s my bliss.
Eternal truths are ultimately invisible, and you won't find them in material things or natural phenomena, or even in human emotions.
We too often let the material things serve as indicators that we're doing well, even though something inside us tells us that were not doing our best. That we are avoiding that which is hard, but also necessary. That we are shrinking from rather than rising to the challenges of the age.
Now one does not think during creative work: any more than one thinks when driving a car. One has a background of years — learning — unlearning— success — failure — dreaming — thinking — experience — back it goes — farther back than one's ancestors: all this, — then the moment of creation, the focussing of all into the moment. So I can make — "without thought" — fifteen carefully-considered negatives one every fifteen minutes, — given material with as many possibilities.
The American Dream, that has lured tens of millions of all nations to our shores in the past century has not been a dream of material plenty, though that has doubtlessly counted heavily. It has been a dream of being able to grow to fullest development as a man and woman, unhampered by the barriers which had slowly been erected in the older civilizations, unrepressed by social orders which had developed for the benefit of classes rather than for the simple human being of any and every class.
That coarseness and strength combined with acuteness and inquisitiveness; that practical, inventive turn of mind, quick to find expedients; that masterful grasp of material things, lacking in the artistic but powerful to effect great ends; that restless, nervous energy; that dominant individualism, working for good and evil, and withal that buoyancy and exuberance which comes with freedom - these are the traits of the frontier.
Into this wild Abyss/ The womb of Nature, and perhaps her grave--/ Of neither sea, nor shore, nor air, nor fire,/ But all these in their pregnant causes mixed/ Confusedly, and which thus must ever fight,/ Unless the Almighty Maker them ordain/ His dark materials to create more worlds,--/ Into this wild Abyss the wary Fiend/ Stood on the brink of Hell and looked a while,/ Pondering his voyage; for no narrow frith/ He had to cross.
I recall drinking sherry in California and dreaming of England, where I ate dalmoth and dreamed of Delhi. What is the purpose, I wonder, of all this restlessness? I sometimes seem to myself to wander around the world merely accumulating material for future nostalgias.
Our Nation, a great stage for the acting out of great thoughts, presents the classic confrontation between Locke's views of the state of nature and Rousseau's criticism of them... Nature is raw material, worthless without the mixture of human labor; yet nature is also the highest and most sacred thing. The same people who struggle to save the snail-darter bless the pill, worry about hunting deer and defend abortion. Reverence for nature, mastery of nature- whichever is convenient.
When we of the so-called better classes are scared as men were never scared in history at material ugliness and hardship; when we put off marriage until our house can be artistic, and quake at the thought of having a child without a bank-account and doomed to manual labor, it is time for thinking men to protest against so unmanly and irreligious a state of opinion.
How certain human beings are able to create works of art is a mystery, and why they should wish to do so, at a great cost to themselves usually, is another mystery. Works are not created by one's life; every life is rich in material.
As individuals express their life, so they are. What they are, therefore, coincides with their production, both with what they produce and with how they produce. The nature of individuals thus depends on the material conditions determining their production.
It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively without being at any ball of any description, and no material injury accrue either to body or mind.
Man has used human rhythmic movement as raw material out of which to create works of art, as the composer of music uses sound, the sculptor uses stone and wood, the painter his pigments, and the writer - words.
When student-actors see people and the way they behave when together, see the color of the sky, hear the sounds in the air, feel the ground beneath them and the wind on their faces, they get a wider view of their personal world and development in the theater is quickened. The world provides the material for the theater and artistic growth develops hand-in-hand with one's recognition of it and one's self within it.
For all of us involved in preaching the gospel, performing music, publishing Christian materials, and all the rest, there is an uncomfortable message here: Jesus is not terribly impressed with religious commercialism
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