Lisp isn't a language, it's a building material.
There is but one love of Jesus, as there is but one person in the poor - Jesus. We take vows of chastity to love Christ with undivided love; to be able to love him with undivided love we take a vow of poverty which frees us from all material possessions, and with that freedom we can love him with undivided love, and from this vow of undivided love we surrender ourselves totally to him in the person who takes his place.
In the 80s, in the cover band I was in, we'd slip in original material. If you didn't say anything about it, people just didn't care. Sometimes they'd ask where that came from and you'd tell them, but you still had to play a bunch of Willie, Waylon, and Merle.
I wanted to do a set of love songs for Valentine's Day so I went through my old material. I found myself scraping around the edges of good taste.
Something like going to get the newspaper can increase your writing efficiency by taking you away from the material. When I'm doing other things, writing stuff will be swirling around in my head, and sometimes I'll see a new way into the material.
Enthusiasm is big. When I write a book, it's a three-year commitment. Toward the end, I'm writing seven days a week, and it's exhausting but thrilling. The only hope is to have some real enthusiasm for the book. ... Above all, you need some strong emotional or personal connection to your material.
I typically will work on a lyric in a three-ring binder. On the right side, I'll write the lyric, and on the left side, I put in alternate things...and things that might be alternates or improvements. I'll turn the page and do it again. I'll turn the page and do it again, or incorporate the improvements. Eventually, I end up with some material, and often it needs to be ordered.
I have all these computers and keyboards and synthesizers, and I rattle away. For instance, with The Lion King I wrote over four hours worth of tunes, and they were really pretty -but totally meaningless. So in the end I came up with material I liked. We worked on The Lion King for four years, but I wasn't toying until the last three-and-a-half weeks properly. On Crimson Tide, on the other hand, I just went in and within seconds I knew what I wanted.
Infinite perfection is in every man, though unmanifested. Every man has in him the potentiality of attaining to perfect saintliness, Rishihood, or to the most exalted position of an Avatâra, or to the greatness of a hero in material discoveries.
Congressional investigations...are still being held on the problem of unidentified flying objects and the problem is one in which there is quite a bit of interest... Since most of the material presented to the committee is classified, the hearings are never printed.
In this world we are in precarious position, balanced midway between material and spiritual hungers. We find heaven to be a delicate state of consciousness that can be lost in a single moment of forgetfulness.
The way it is now, the asylums can hold the sane people, but if we tried to shut up the insane we should run out of building materials.
We believe our suppliers of materials have not been impacted. At this point, our customers have not asked us to do anything differently as a result of the earthquake.
Why should we feel sad when the Hindu brothers choose to leave our country? Do we mourn when we have indigestion and materials leave our bodies?
When listening to the sound material, we metamorphose the inside into an outside. This notion of metamorphosis is one of the principles that leads the course of the musical suite, reflecting changes (fluidsolid passages: water/ice/fire) or movements (ebb/flow/wave, inspiration/expiration) or inside-outside passages (door/individual/crowd). Thus, the perceived object is not entirely what we would have liked it to be. Our music brings us closer to some while it takes us away from others: each with their own inside.
I've been lucky to be able to work with great people and on interesting material.
On the last couple of movies I made - big-budget Hollywood movies - I really missed being able to create my own material.
Not mythical material productive forces, but reason and ideas determine the course of human affairs. What is needed to stop the trend toward socialism and despotism is common-sense and moral courage.
Human beings have the capacity to learn to want almost any conceivable material object. Given, then, the emergence of a modern industrial culture capable of producing almost anything, the time is ripe for opening the storehouse of infinite need!... It is the modern Pandora's box, and its plagues are loose upon the world.
I either play cops or criminals - I'm either on the right side of the law or the wrong side. I gravitate toward edgier material because it suits my nature. I find it fascinating to play. I'm just that kind of person.
Chlorine is a deadly poison gas employed on European battlefields in World War I. Sodium is a corrosive metal which burns upon contact with water. Together they make a placid and unpoisonous material, table salt. Why each of these substances has the properties it does is a subject called chemistry.
Whenever Nature's bounty is in danger of exhaustion, the chemist has sought for a substitute. The conquest of disease has made great progress as a result of your efforts. Wherever we look, the work of the chemist has raised the level of our civilization and has increased the productive capacity of the nation. Waste materials, formerly cast aside, are now being utilized.
Problems in human engineering will receive during the coming years the same genius and attention which the nineteenth century gave to the more material forms of engineering. We have laid good foundations for industrial prosperity, now we want to assure the happiness and growth of the workers through vocational education, vocational guidance, and wisely managed employment departments. A great field for industrial experimentation and statemanship is opening up.
The first entirely vital action, so termed because it is not effected outside the influence of life, consists in the creation of the glycogenic material in the living hepatic tissue. The second entirely chemical action, which can be effected outside the influence of life, consists in the transformation of the glycogenic material into sugar by means of a ferment.
It has not escaped our notice that the specific pairing we have postulated immediately suggests a possible copying mechanism for the genetic material.
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