I don't think I'm beautiful. When I look in the mirror, I just see me - and, I'm pretty used to me.
The more you work, the less you exist. I believe (at least, I used to believe, because I no longer think this is entirely true) that the artist is like someone carrying a mirror in which everyone can look and recognize themselves, so that the person who carries the mirror ends up being nothing.
In 1968 I frequently would sit in a photo booth and practice self mirror images which I then documented photographically. Curious types would always open the curtains and chase me away. Today I work with a photographer.
...I started photographing myself, and found that I could see portions of myself that I had never seen before. Since I face just my face in the mirror, I know pretty much what it's like. When I see a side-view I'm not used to it, and find it peculiar... So, photographing myself and discovering unknown territories of my surface self causes an interesting psychological confrontation.
... all of my life I've made things that are like fragmented mirrors of what I perceive to be the world. As far as I'm concerned the fact that in 1990 the human body is still a taboo subject is unbelievably ridiculous. What exactly is frightening about the human body?
Today I saw a guy who looked like me in a funhouse mirror. He looked at me like, Hey, that's how I look reflected in the pond!
Comedy, if it's done well, can reflect the mood of a nation. It can be a mirror to who we are, what we believe in, what we are like.
Mirrors at the gym only serve to remind me that I'm less of a man than I'd like to be.
Few things are as uniquely painful as bad comedy, and the realization that the human mind is a house of mirrors with no entrance and no exit.
Is it a bad sign when you see the person you're dating and get the same feeling as if you just saw police lights in you're rear view mirror?
Comedians are therapists. People honestly think we're doing it for ourselves. No. If we wanted to do stand-up for ourselves, we would perform in front of a mirror and never go to a club. We are giving this away. Some people are going through so much in their lives, they want to hear something else that's going on in the world and laugh.
I hated the mirror and avoided it as much as I could. A glimpse would only remind me: I'll never be normal again.
I never actually studied an American accent. I never learned it. I never had anybody teach me how to do it. It just kind of happened. I think I probably spent a lot of my childhood in front of my mirror pretending to do Cornflake commercials like the kids I've seen on TV from America.
Whites they pretended to ignore, as they busily lived mirror-image white lives.
The nineteenth-century way of looking at the photograph was as a mirror for the memory, and at that time the photographs almost looked like mirrors, with their polished metallic surfaces.
Fashion is the opposite of the real, its worst enemy. Fashion photography is subversive; it makes you believe everything is true, whereas this could not be more false. It is the opposite of a mirror, a deformation.
Nature is a mirror in which I am reflected, because by rescuing this land from sad devastation [through recreating it in photographs], I am in fact trying to save myself from my own inner sadness.
To me photography can be simultaneously a record and a mirror or window of self-expression.
Photography is the mirror, more faithful than any actual mirror, in which we witness at every age, our own aging. The actual mirror accompanies us through time, thoughtfully and treacherously; it changes with us, so that we appear not to change.
I believe that the (distorting) mirror which is photography holds an intrinsic, even elemental, relation to writing.
I have never sought the unexpected, the novelty, the extraordinary, but rather what is most typical of our daily life... I go out to find people who resemble me, and the mirror which these images offer them is the same as that in which I see myself.
What I do is put mirrors in the right place to reflect an image.
Women like to take their clothes off. I noticed that. Especially in front of a camera. Or a mirror.
Perhaps one day you'll look in the mirror and realize, the person you see appearing in awareness is actually awareness itself - momentarily appearing as a person.
You need to take a long, hard look in the mirror and not come away thinking, "Hey, there's something wrong with this mirror."
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