While shooting a movie if I can't find what I want, then I keep going until I find my moment.
We are such skeptics that we find it difficult to believe in God and angels and a spiritual afterlife, but a moment of fear makes our spirit so vulnerable that it allows us to believe in something beyond that.
When I was a teenager, for the most part, I had a really great, easy relationship with my mom, but there are those occasional mom/daughter things that are unavoidable. That's what makes it more upsetting and more true to life. We have great moments, and then we have terrible moments as well.
I also really loved the friendship between these two women, and watching these two very different women working in this gritty male environment. That was really the reason that I wanted to be a part of it. And, I went in and met with the producer and the director that did the pilot, Mike Robin, and read with them. And then, I did a read with Angie Harmon, who was already cast. From the moment we read together, it just clicked. It was as easy as that.
While you're in the moment of anything that's confusing in your life, you're in the moment, and you have to figure it out. You can go up or down. And I just kept working on the higher road, and trying. I got very involved with medication.
They literally have what they would call "a four-quadrant" movie that they could just release at any moment. Parents want to go there, kids want to go there, hipsters want to go there. It's like everyone will want to see it.
There's no way of telling why you want to do things beforehand. Something just grabs you. It might not grab you six months later, and it might not have grabbed you six months before, but at that particular moment it grabs you, so you jump on it.
I mean every character you totally, you know, the full fiber of the personality is kept in the film, and all of those little moments, all those funny little tidbits are all in there.
I'm into capturing the moment. Sometimes, I'll rip the camera out of my assistant's hands and he'll be shouting, But there's no film in the camera! and I think, Never mind! Let's go.
The expressive techniques of painting are capable of conveying an analogy but not an impossible photograph of a moment.
From the moment the tourist enters the site, everyone has to be photographed in front of every feature of note.... The photographic record of the visit has almost destroyed the very notion of actually looking.
I don't shoot kittens with balls of wool. I don't shoot sunsets. What draws me? Ironic, surreal, unexplained, timely moments.
There really is a kind of insane beauty around us all the time. It's just a question of learning to slow down, take a deep breath and meet the moment.
The moment when I press the shutter is fantastic, orgasmic, so charged with the hope that this will be a great, original, interesting, and perfectly composed photo. But like any other exciting thing in life, it is usually spoiled by some ridiculous, unpredictable, and annoying detail.
To me it's just going for the moment that counts. Sometimes, I'll have all the elements there, and I like to play and push something, and to me, in the end, you do achieve things that you're not aware of in the beginning, even though you're there trying to get them.
Our favorite teams bring people together, keep family members close, bond people from different generations. Some of the happiest moments of my life involve something that happened with one of my teams.
I've never tried to drive my career in any particular direction. I've always been an in-the-moment, live-for-today guy. I've never had a goal, and nearly everything I've done has been an accident. I just play to me, and if I can amuse myself, I consider it a victory.
I never know what I'm going to say as I walk up to the microphone. I try to be in the moment. I try to go deeper into myself. I discover things on stage that I don't discover off stage about me.
As a photographer you enlarge or emphasize a certain moment, making it another reality.
All my photographs are about meetings and about coups de foudre - love at first sight. To do that type of photography, one must wipe the canvas clean to prepare for chance encounters, be open and aware to such moments, otherwise it becomes a cliché - already seen and expected.
Over the years, photography has been to me what a journal is to a writer - a record of things seen and experienced, moments in the flow of time, documents of significance to me, experiments in seeing.
You must try to combine in your life immense idealism with immense practicality. You must be prepared to go into deep meditation now, and the next moment you must be ready to go and cultivate the fields. You must be prepared to explain the intricacies of the scriptures now, and the next moment to go and sell the produce of the fields in the market....The true man is he who is strong as strength itself and yet possesses a woman's heart.
Photographs are like our children. We put the best of ourselves into them - the best of our vision, our minds, our hearts - and then we send them out into the world. At some moment, perhaps the moment we click the shutter, they are being released. From that moment on, they don't really belong to us anymore.
In Russia, the moment a person opens his mouth you know where he's from. There's the uniformity of experience of an individual in Russia. When you're about 7 years old you get into school and you get put in this factory or this bureaucracy or whatever. The options are computable. Here it's tremendously diverse.
Lubo Penev is a fighter, he never gives up and remains cool during tough moments. I remember when he was sick with cancer, but fought and returned to football. Most people would have given up and prayed to God for mercy. (on former teammate Luboslav Penev)
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