An architect does not need to spend his whole career making monuments for rich people.
God was on the move; God is on the move; and God will always be on the move. Those who walk with God and listen to God are also on the move. Reading the Bible so we can live it out today means being on the move—always. Anyone who stops and wants to turn a particular moment into a monument, as the disciples did when Jesus was transfigured before them, will soon be wondering where God has gone.
Excuses are the tools with which persons with no purpose in view build for themselves great monuments of nothing.
Zalasiewicz is convinced that even a moderately competent stratigrapher will, at the distance of a hundred million years or so, be able to tell that something extraordinary happened at the moment in time that counts for us as today. This is the case even though a hundred million years from now, all that we consider to be the great works of man—the sculptures and the libraries, the monuments and the museums, the cities and the factories—will be compressed into a layer of sediment not much thicker than a cigarette paper.
Architects mostly work for privileged people, people who have money and power. Power and money are invisible, so people hire us to visualize their power and money by making monumental architecture. I love to make monuments, too, but I thought perhaps we can use our experience and knowledge more for the general public, even for those who have lost their houses in natural disasters.
a young woman in love always looks like patience on a monument smiling at grief
I knew that I shouldn’t have, but I did it all the same; and there you have my epitaph, or one of them, because my grave is going to require a monument inscribed on all four sides with rueful mottoes, in small characters, set close together.
An idea is a greater monument than a cathedral. And the advance of man's knowledge is more of a miracle than any sticks turned to snakes, or the parting of waters!
I think Bowe Bergdahl, if he deserted, is a hero - I think throughout history we should build monuments to the unknown deserters.
Deep patriots don't just sing the song, 'America the Beautiful' and then go home. We actually stick around to defend America’s beauty -- from the oil spillers, the clear-cutters and the mountaintop removers. Deep patriots don't just visit the Statue of Liberty and send a postcard home to grandma. We defend the principles upon which that great monument was founded -- 'give me your tired, your poor, your huddled masses yearning to breathe free.'
Many are concerned about the monuments of the West and the East -- to know who built them. For my part, I should like to know who in those days did not build them -- who were above such trifling.
Brave deeds are the monuments of brave men.
The graphic emphasis placed on those first lines is rather hard to square with the proposition that the monument expresses no particular religious preference.
Excuses are tools of the incompetent used to build bridges to nowhere and monuments of nothingness
Yeah! I went to the set of Monuments Men.
After I am dead, I would rather have men ask why Cato has no monument than why he had one.
When I was young I once found a book in a Dutch translation, 'The leaves of Grass'. It was the first time a book touched me by its feeling of freedom and open spaces, the way the poet spoke of the ocean by describing a drop of water in his hand. Walt Whitman was offering the world an open hand (now we call it democracy) and my 'Monument for Walt Whitman' became this open hand with mirrors, so you can see inside yourself.
I'm king of the dead and I make my throne On a monument slab of marble cold; And my scepter of rule is the spade I hold: Come they from cottage or come they from hall, Mankind are my subjects, all, all, all! Let them loiter in pleasure or toilfully spin I gather them in, I gather them in!
If for no other reason, Frank Lloyd Wright would be justly famous for Fallingwater, one of the most extraordinary houses in the world. This biography of a house is also a celebration of the creative minds who envisioned it and provides all the reasons, if any are needed, why Fallingwater should be cherished as a national monument. Franklin Toker has performed an invaluable service.
As a people, our monuments never commemorate victories. They commemorate the names of the fallen. We don't need the Arc de Triomphe; we have Masada, Tel-Hai, and the Warsaw Ghetto - where the battle was lost, but the war of Jewish existence was won.
Egyptian pyramids or obelisks – seemed to be the basis of the great memorials that have kept their significance and dignity across time. Neither an obelisk nor a rectangular box nor a dome seemed right on this site or for this purpose. But here, at the edge of the Mississippi River, a great arch did seem right.
Suppose we took a thousand negatives... combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city - that would be my favorite picture.
It's a curious thing, this thing we call civilization...we think it is an affair of epochs, and nations. It's really an affair of individuals. One brother will be civilized and the other a barbarian...All civilization comes through literature now, especially in our country. A Greek got his civilization by talking and looking, and in some measure a Parisian may still do it. But we, who live remote from history and monuments, we must read or we must barbarise.
In the convulsions of the commodity economy, we begin to recognize the monuments of the bourgeoisie as ruins even before they have crumbled.
Kurt Godel's achievement in modern logic is singular and monumental - indeed it is more than a monument, it is a landmark which will remain visible far in space and time. ... The subject of logic has certainly completely changed its nature and possibilities with Godel's achievement.
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