In life and in movies, it's a similar challenge, where you have expectations, and you end up in situations that are not meeting your expectations.
If there was another Dr. Quinn movie, I would do it in a heartbeat.
A movie star is someone people look at and go, 'I want to be like that person'. There's the responsibility of desire. It's not something I'm interested in trying. I would fail miserably at it, so why even bother?
Jack: Where to, Miss? Rose: To the stars.
The movie people would have nothing to do with me until they heard me speak in a Broadway play, then they all wanted to sign me for the silent movies.
I've had some movies that have been ridiculed, but that's OK with me. I don't feel that really defines me. Should I change who I am to be popular?
My whole life has been movies and religion. That's it. Nothing else.
I think maybe making films is something innate you can't really teach to begin with.
I'm like a navigator and I try to encourage our collaboration and find the best way that will produce fruit. I like fruit. I like cherries, I like bananas.
I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move!
Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
A metaphysical tour de force of untethered meaning and involuting interlocking contrapuntal rhythms, 'The Clock' is more than a movie or even a work of art. It is so strange and other-ish that it becomes a stream-of-consciousness algorithm unto itself - something almost inhuman.
Casting is 65 percent of directing.
Our feeling is that the most important thing on a set is that actors have enough confidence to try different things. If there's stress or tension, they won't go out on a limb because they won't want to embarrass themselves if they don't feel completely comfortable.
Whenever I did a good performance, my Dad and my uncles, who were rabid movie fans, took me to the movies. There began my underlying love affair with film.
A Great Movie Evolves when Everybody Has the Same Vision in Their Heads.
You see so many movies... the younger people who are coming from MTV or who are coming from commercials and there's no sense of film grammar. There's no real sense of how to tell a story visually. It's just cut, cut, cut, cut, cut, you know, which is pretty easy.
In the future, everybody is going to be a director. Somebody's got to live a real life so we have something to make a movie about.
If You Want to Send a Message, Try Western Union.
Citizen Kane is perhaps the one American talking picture that seems as fresh now as the day it opened. It may seem even fresher.
I did my first movie, "The Mambo Kings," in America without speaking the language. I learned the lines phonetically. I had an interpreter actually just to understand directions from my director.
You cannot combine being a movie star with not being a movie star.
Television studios bet the farm on reality shows, where they didn't need any actors and movie studios had no plans for any quality movies that required the presence of me.
It couldn't sound like a dog, because K9 isn't a dog, but I made it sound as mechanical as possible.
I was really disappointed that Warner Bros. didn't think highly enough of my film or my filmmaking to ask me to make the new Superman.
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