I've been barbecued, stewed, screwed, tattooed, and fried by people claiming to be my friends. The human race has gone backward, not forward, since the days we were apes swinging through the trees.
Adolescents sometimes say..."My friends listen to me, but my parents only hear me talk." Often they are right. Familiarity breeds inattention.
I don't care if the average guy on the street really knows what I'm like, as long as he knows I'm not really a mean, vicious guy. My friends and family know what I'm really like. That's what's important.
I don't understand these people anymore, that travel the commuter-trains to their dormitory towns. These people that call themselves human, but, by a pressure they do not feel, are forced to do their work like ants. With what do they fill their time when they are free of work on their silly little Sundays? I am very fortunate in my profession. I feel like a farmer, with the airstrips as my fields. Those that have once tasted this kind of fare will not forget it ever. Not so, my friends?
I never take pictures. Skies are much larger in reminiscences and my friends are much better-looking. Photos crop reality into little squares; instead, I have very good binoculars.
God gives me unconditional love. I'm going to give it to my family and my friends and the people around me.
A lot of my friends have been collectors, and I owe a lot to them. I'm always interested in sharing collections and learning that way. I used to trade tapes a lot. I still have a few friends who I trade music with, but it's hard to find the time. I miss that.
I don't think I'd be a party girl [even if I were] in college. When I was in high school, I remember seeing girls crying in the bathroom every Monday about what they did at a party that weekend. I never wanted to be that girl crying in the bathroom. But there are certain things that I would like to do but can't. Sometimes I don't get invited to things because my friends know it's going to be a hassle to take me.
I've been acting for many years now, and I find there's nothing I enjoy more than making films with my friends and people I like, who also are the funniest people around.
I care a lot about what my girlfriend thinks, and my friends, but ultimately it's me in the mirror. I just want to be proud of what I do.
As I'm getting older a lot of my friends I used to go out and party with, they're all dead. The fact that I've been through that, I'm not proud of the fact that I've been through all that, but it's part of my journey. I'm lucky to be alive. I'm lucky to be playing music.
One of my friends continued to ask me when was I going to start the group. One particular time she asked me, someone else asked the same thing later on in the week. I believe that was definitely the Lord speaking and prompting me to start it.
The US remains an object of fascination for me, and the subject of much study, but while many of my friends etc. are American and I have no plans at present to move elsewhere, I consider myself a permanent outsider.
I was playing in the juniors at Wimbledon I forgot to turn my mobile phone off. It was lying there in my bag and it rang in the middle of a match, and it was one of my friends from school saying, 'Murray, you're on the telly!' I learnt from that. I now put my phone on silent.
I'm afraid of sudden death. I'd like to know I'm going to die. That's why death row wouldn't be so bad, although it's not pleasant. And cancer, inoperable, wouldn't be bad. That's not pleasant either. But to drop dead suddenly, it's hard on everybody else. My family, my relatives, my friends. It's just not a good way to go. I want to know I'm going to die.
I think that the perceived downs in my own career come from just managing my time and not feeling that I have enough time for my family or my friends. You could put that in the personal life category but it's all one category because I've got to balance my family.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
My friends are always honest with me about films. But I really wanted to talk to regular people and kind of have a forum to interact with them; not just about films, but about everything.
I was so paranoid that my friends wouldn't like me. I went to a very small school where the consequences of bullying were very real. You couldn't just push some nameless face in the hallway because everybody knew each other's families, so there wasn't the obligatory psychotic jackass that tortured everybody.
Three things that always bring a smile to my face: making guacamole for my friends, getting pedicures with my mom, exploring an airport I've never been in.
For me and most of my friends who are comedians, if you've been doing comedy for a while, your tolerance for things actually moves. I find it very hard to be shocked, and when other people aggressively take offense to something, I'm sometimes confused.
I've been singing my whole life. I'd randomly sing in the hallways at high school, and all my friends would be like, 'You should sing on 'Canadian Idol'!" It definitely gassed me!
A lot of people mistake the persona that I create in poetry and fiction with me. A lot of people claim to know me who don't really know me. They know the work, or they know the persona in the work, and they confuse that with me, the writer. They don't realize that the persona is also a creation and a fabrication, a composite of my friends and myself all pasted together.
Everything creative is somewhat collaborative. If you're a painter and someone stretches your canvas, it was collaborative on some level. Ultimately I'm the writer for me, but also anytime one of my friends gets stuck with a bit, they can call me and I'm pretty good at helping them get there. I think we all work together on some level, but for the most part, we're on our own.
If there was any teacher in the world who insisted upon the inexorable law of cause and effect, it was Gautam, and yet my friends, the Buddhists outside India, would, if they could, avoid the effects of their own acts.
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