Twentieth-century Russian literature has produced nothing special except perhaps one novel and two stories by Andrei Platonov, who ended his days sweeping streets.
Novel-writing is the only place where someone who would have liked to do anything can still do that vicariously.
A good novel is worth more then the best scientific study.
The same parts of my brain get as excited as when I study bio or read a novel and write a paper on it.
I was very influenced by The Magic Mountain. It's a book that had a huge impact on me. I loved that as a shape for a novel: put a bunch of people in a beautiful place, give them all tuberculosis, make them all stay in a fur sleeping bag for several years and see what happens.
You need a theme in a picture book just as much or maybe even more than you need it in a novel.
All my life I have been trying to learn, to read, to see and hear, and to write. At sixty-five I began my first novel and after the five years, lacking a month, I took to finish it, I was still traveling, still a seeker.
My goal with The Adventures of Captain Underpants was to invent a style which was almost identical to that of a picture book - in a novel format. So I wrote incredibly short chapters and tried to fill each page with more pictures than words. I wanted to create a book that kids who don't like to read would want to read.
What I couldn't help noticing was that I learned more about the novel in a morning by trying to write a page of one than I'd learned in seven years or so of trying to write criticism
I write short stories when a little idea occurs to me, that I know isn't a part of a novel that will stand by itself and should be concentrated.
I never accepted why there should be some invisible, wavy cutoff line separating Great Fiction from phosphorescent beauties and dollhouse miniatures, novels that contain a whole world in a snow globe.
I invented the historical spy novel.
I write what I call 'novels of consolation' for people who are bright and sophisticated.
My novels are about the European reality, not about chases. You want chases, get somebody else's books.
I wrote a novel about Israelis who live their own lives on the slope of a volcano. Near a volcano one still falls in love, one still gets jealous, one still wants a promotion, one still gossips.
When I was growing up, I always read horror books, while my sister read romance novels.
I've never made an outline for any novel that I've written. Never.
I save the best of myself for novels, and I believe it shows
There is a technical, literary term for those who mistake the opinions and beliefs of characters in a novel for those of the author. The term is 'idiot'.
Someone once wrote that a novel should deliver a series of small astonishments. I get the same thing spending an hour with you.
I did not have a chance to write novels until my youngest child started school fulltime
I would recommend the short story form, which is a lot harder to write since you have to be so careful with words, until there is plenty of time to doodle through a novel
Anyway, several rewrites later, Del Rey Books did publish my first novel, and it did become the first work of fiction on the New York Times trade paperback bestseller list.
Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages. Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into. It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.
I have learned as much about writing about my people by listening to blues and jazz and spirituals as I have by reading novels.
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