This is my life, I think. I am an accumulation of objects.
If a woman conceals her affection with the same skill from the object of it, she may lose the opportunity of fixing him; and it will then be but poor consolation to believe the world equally in the dark. There is so much of gratitude or vanity in almost any attachment, that it is not safe to leave any to itself. We can all begin ‘freely’- as light preference is natural enough; but there are very few of us who have a heart enough to be really in love without encouragement.
Possibly it had occurred to him the colossal significance of that light had now vanished forever. [...] It had seemed as close as a star to the moon. Now it was a green light on a dock. His count of enchanted objects had diminished by one.
He'll be delivered from madness. What then? He'll feel himself acceptable! What then? Do you think feelings like his can be simply re-attached, like plasters? Stuck on to other objects we select? Look at him! ... My desire might be to make this boy an ardent husband - a caring citizen - a worshipper of abstract and unifying God. My achievement, however, is more likely to make a ghost!
Imagination magnifies small objects with fantastic exaggeration until they fill our soul, and with bold insolence cuts down great things to its own size, as when speaking of God.
It isn't a matter of how long, or even how much you know. It's a way of looking at things, how much you see and how you think. I suppose it's, well, perspective. . . When you start seein' five sides to a four-sided object, that's when you get the gray robe.
To be shown love is to feel ourselves the object of concern: our presence is noted, our name is registered, our views are listened to, our failings are treated with indulgence and our needs are ministered to. And under such care, we flourish.
Acquaintance: "A person whom we know well enough to borrow from, but not well enough to lend to. A degree of friendship called slight when its object is poor or obscure, and intimate when he is rich or famous.
So many objects, so many memories. Each was being labelled and packed away in bags just as it was in her mind. To be stored in an area that would sometime be called upon to teach and help in future life.
One must do violence to the object of one's desire; when it surrenders, the pleasure is greater.
God has no needs. Human love, as Plato teaches us, is the child of Poverty – of want or lack; it is caused by a real or supposed goal in its beloved which the lover needs and desires. But God's love, far from being caused by goodness in the object, causes all the goodness which the object has, loving it first into existence, and then into real, though derivative, lovability. God is Goodness. He can give good, but cannot need or get it. In that sense , His love is, as it were, bottomlessly selfless by very definition; it has everything to give, and nothing to receive.
Well, you split your soul, you see, and hide part of it in an object outside the body. Then, even if one’s body is attacked or destroyed, one cannot die, for part of the soul remains earthbound and undamaged. But of course, existence in such a form . . .
When people learn to master their feelings, they can soon learn to master their reflections and thoughts in the degree requisite for attaining the objects they are seeking. But while they yield to a feeling or spirit that distracts their minds from a subject they wish to study and learn, so long they will never gain the mastery of their minds.
Dark matter has a gravitation effect on other objects. You can't see it, you can't feel it, but you can watch something being pulled in its direction.
What distinguishes - in both senses of that word - contemplation is rather this: it is a knowing which is inspired by love. "Without love there would be no contemplation." Contemplation is a loving attainment of awareness. It is intuition of the beloved object.
The mind is a metaphor of the world of objects.
Men protect things they find important," Galladon said with a shrug. "If you object, you shouldn't have made yourself so irreplaceable.Kolo?" -Brandon Sanderson (Elantris)
My object then," replied Darcy, "was to show you, by every civility in my power, that I was not so mean as to resent the past; and I hoped to obtain your forgiveness, to lessen your ill opinion, by letting you see that your reproofs had been attended to. How soon any other wishes introduced themselves I can hardly tell, but I believe in about half an hour after I had seen you.
...but it was death that changed. People are still people. Some good, some bad. Death changed, and we don't know what death really means anymore. Maybe that was the point. Maybe this is an object lesson about the arrogance of our assumptions. Hard to say. But the world? She didn't change. She healed. We stopped hurting her and she began to heal. You can see it all around. The whole world is a forest now. The air is fresher. More trees, more oxygen.
I believed that I was approaching the end of my days without having tasted to the full any of the pleasures for which my heart thirsted...without having ever tasted that passion which, through lack of an object, was always suppressed. ...The impossibility of attaining the real persons precipitated me into the land of chimeras; and seeing nothing that existed worthy of my exalted feelings, I fostered them in an ideal world which my creative imagination soon peopled with beings after my own heart.
Such a small, pure object a poem could be, made of nothing but air a tiny string of letters, maybe small enough to fit in the palm of your hand. But it could blow everybody's head off.
What have we been doing all these centuries but trying to call God back to the mountain, or, failing that, raise a peep out of anything that isn't us? What is the difference between a cathedral and a physics lab? Are not they both saying: Hello? We spy on whales and on interstellar radio objects; we starve ourselves and pray till we're blue.
Stories are artifacts, not really made things which we create and can take credit for, but pre-existing objects which we dig up.
Over the years I knew her she always looked at me like that - as though I was a quite pleasant but amusing object - and it always did the same thing to me. It's difficult to put into words but perhaps I can best describe it by saying that if I had been a little dog I'd have gone leaping and gambolling around the room wagging my tail furiously.
And if you had no tongue, no celebrating language, you’d do this: cross your hands at the wrist with palms facing towards you; place your crossed wrists over your heart (the middle of your chest, anyway); then move your hands outwards a short distance, and open them towards the object of your love. It’s just as eloquent as speech.
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