The best thing about the world today is that everyone is connected and you can go online and quickly find people all over the world doing incredible things.
When you think about email or IMing, why aren't you writing back? I can see your avatar, I know you're online, why aren't you writing me back? But with Twitter, everybody sends their responses to Twitter, and Twitter then sends them out to everyone. So there's not this constant connection. You can be hyperconnected, then you can take a break for a couple days and it's fine.
I'm curious about writing in the age of online publishing. Because nobody cares about good writing online.
The TSA tears through your bags at the airport and the NSA watches what books you buy and what you say over the telephone and online. It doesn't feel like anything is private anymore.
Online petitions are built around getting as many signatures as possible. But the experience of taking them and forgetting about them degrades the importance.
The first thing we can do as individuals and as communities, like a school or a university or a church, is cut our energy use. Do an energy audit or measure our carbon footprint using online carbon calculators that are free, easy, and cheap. Get a list of the ways that we can stop wasting so much energy and save money.
I use Instagram as an online gallery to display my work. For me, it's almost more important to exist online than it is in real life.
Also, after Examined Life was finished I found myself thinking about the way creative opportunities and distribution channels were shifting. Should I be showing my films in theaters or just think about getting them out online? There were other issues, too.
And of course the things that get the most attention online tend to be similar to those that succeeded under the old model.
There was all this enthusiasm about amateurism and the idea that people could now just make videos in their bedroom, or blog news stories and share it online, and isn't this great? Now we can do it just for the love of it and not try to be professionals, corrupted by careerism.
We haven't developed a progressive vocabulary. We say something is "public," but we just mean it's viewable online. Or we say it's "open," but we just mean it's accessible. I would like for us to think about terms critically and maybe change our vocabulary a bit. What if pubic actually meant publicly-funded, or social meant socialized.
I'm just online too much. I drink too much. A lot of bad things.
Luckily, there's enough people who have recorded songs that I can just go online and kind of figure out how to play them.
I think anything we do - eating, walking down the street, online shopping - gives you another perspective on writing stories.
With any video you see online, like with YouTube, you gotta watch an ad, and that's gotta stop. And I think it'll stop by...the shitty network shows they put out will just have the ads in the shows. The characters will be eating Cheetos or whatever.
It's very much a back and forth conversation between the fans and the writers, between the writers and the powers that be. Their opinions, especially when expressed online or via correspondence, are important and are taken into consideration.
I think the key to writing the truth of our existences, so much of this is being incubated online, is examining the conflicts and the messiness, our sometimes dividedness, dealing with gender and other hierarchies, and also our identities outside of them, deeply personal and yet somehow critical and circumspect.
I think the online space can be a free space, in that we are not reliant online on the publishing industry or readers who just don't get it.
I am curious to see what books will emerge from all this writing online that's the result of those who grew up pouring their feelings out on Livejournal or Tumblr - excessive, sometimes automatic, sometimes enraged, emotional, while also quite intellectual - or if formal books will emerge at all, if that's not the point of these unmediated raw spaces. I'm excited by the possibility.
Online reaction is very different than real-world reaction.
People are different in different situations and people are different online than they are in real life.
You're not going to change anyone's mind. Especially online.
I'm looking for a balance of reported and essayistic work by up-and-coming women journalists. Often that means combing online-only sources or alt weeklies.
And the whole online thing is like, I just, that to me is a world that doesn't exist. It's not something you could touch or lick or smell. And as my eyes get worse, it's very hard to read. And there's no money in it. I mean, it's like they pay, like the best you can go is 1970 prices.
I was a social recluse for most of my life, and so a lot of relationships I've been in have been formed online. I met my first boyfriend online at 15, which culminated in me running away to San Francisco to be with him.
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