Hi. My name is Debby, and I am a storyteller. I don't think of myself as an actress. I am more like a face that takes words on a page, and puts them in front of your eyes.
Revision is the heart of writing. Every page I do is done over seven or eight times.
I did three or four weeks of work on 'Godzilla' it wasn't a page-one rewrite or anything like that. The term is 'script doctoring,' is what I did on it.
Everyone's life is a page in the human history irrespective of the position he or she holds or the work he or she performs.
Blot out from the page of history the names of all the great actors of his time in the drama of nations, and preserve the name of Washington, and the century would be renowned.
I read the last Harry Potter, and I cried for at least the last 70 pages. Awful! I was curled into a ball and I just kept sobbing. It was embarrassing. I was loud, and I just kept wiping tears away so I could see the page.
"Peace" is a condition in which no civilian pays any attention to military casualties which do not achieve page-one, lead-story prominence-unless that civilian is a close relative of one of the casualties. But, if there ever was a time in history when "peace" meant that there was no fighting going on, I have been unable to find out about it.
When I sit down with my notebook, when I start scribbling words across the page, I find out what I’m feeling.
If the book is second-hand, I leave all its markings intact, the spoor of previous readers, fellow-travellers who have recorded their passage by means of scribbled comments, a name on the fly-leaf, a bus ticket to mark a certain page.
While reading writers of great formulatory power — Henry James, Santayana, Proust — I find I can scarcely get through a page without having to stop to record some lapidary sentence. Reading Henry James, for example, I have muttered to myself, "C’mon, Henry, turn down the brilliance a notch, so I can get some reading done." I may be one of a very small number of people who have developed writer’s cramp while reading.
In literary composition a well-chosen quotation lights up the page like a fine engraving.
It has always pleased me to read while eating if I have no companion; it gives me the society I lack. I devour alternately a page and a mouthful; it is as though my book were dining with me.
The reader wants to see something happen between pages one and four hundred, and nothing happens if the characters don't change.
You should never form judgments from front page headlines. As with a contract, the fine print on the inside pages should be carefully studied.
In six pages, I can't even say "Hello.
Our brains are no longer conditioned for reverence and awe. We cannot imagine a Second Coming that would not be cut down to size by the televised evening news, or a Last Judgment not subject to pages of holier-than-thou second-guessing in The New York Review of Books.
My writing day has grown shorter as I've aged, although it seems to produce the same number of pages.
When you meet someone for the first time, that's not the whole book. That's just the first page.
It's the professional deformation of many writers, and has ruined not a few. (I remember Kingsley Amis, himself no slouch, saying that he could tell on what page of the novel Paul Scott had reached for the bottle and thrown caution to the winds.)
A budget is more than just a series of numbers on a page; it is an embodiment of our values.
The films of The Caine Mutiny and Marjorie Morningstar always seemed to me mere thin skims of the story lines, and I never did see a meager Hollywood caper called Youngblood Hawke, vaguely based on my 800-page novel. So it was that I opted for television, with its much broader time limits, for The Winds of War.
Forty years ago, we were on the tail of the Front Page era. There was a different point of view. Reporters and editors were more forgiving of public people. They didn't think they had to stick someone in jail to make a career.
The decisive moment in the defeat of upper class, capital-S, Society may have come when, in newspapers all over the nation, what used to be call the Society page was replaced by the Style section.
We all know funny people who can't get it down on the page - even funny writers who can't get it down on the page.
Today I must write a paragraph or a page better than I did yesterday.
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