You live for those really great scenes where you almost feel that the film has gone beyond what was printed on the script pages and been raised to another level.
Programs, systems and methods sit well in the ivory towers of monasteries or in the wooden arms of icons. Head knowledge comes from the pages of a theology text. But the invitation to know God - truly know Him - is always an invitation to suffer. Not to suffer alone, but to suffer with Him.
Peitaho Heavy rains fall on Yuyen, the northland kingdom of swallows. White pages of rain envelop the sky, and fishing boats off the Island of the Emperor Chin disappear on the ocean. Which way have they gone? More than a thousand years ago the mighty emperor Tsao Tsao cracked his whip and drove his army against the Tartars. He left us a poem: "Let us move east to the Stone Mountains." Today we still shiver in the autumn gale, in desolate winds, yet another man is in the world.
The newspapers loved pinup pictures of pretty young swimmers, and as a national champion, I got more than my share of space in the sports pages.
The story of the growth of the World Wide Web can be measured by the number of Web pages that are published and the number of links between pages. The Web's ability to allow people to forge links is why we refer to it as an abstract information space, rather than simply a network.
If you don't have an e-mail address, you're in the Netherworld. If you don't have your own World Wide Web page, you're a nobody.
The Cold War in Africa is one of the darkest, most disgraceful pages in contemporary history, and everybody ought to be ashamed.
And we've read scary books and watched scary movies and TV shows together. He's met monsters, ghouls, and demons on the page and on the screen. There's nothing like watching Anaconda with your best friend or lying in bed next to your mother reading Roald Dahl, because that way you get to explore dark stuff safely. You get to laugh with it, to step out on the vampire's dance floor and take him for a spin, and then step back into your life. When you make friends with fear, it can't rule you.
The last copy of the Chicago Daily News I picked up had three crime stories on its front page. But by comparison to the gaudy days, this is small-time stuff. Chicago is as full of crooks as a saw with teeth, but the era when they ruled the city is gone forever.
When I announced on my Facebook page that I'm coming to Israel, people started telling me that I shouldn't go there, but I figured that if I'm not going to come here, then I guess I can't go back to the United States anymore and I can never go to Russia again and I should probably never go back to Germany and I should probably never go back to France and I should probably never go back to England....All I see here is a really beautiful city.
The American press is, and always has been, a booster press, its editorial pages characteristically advancing the same arguments as the paid advertising copy.
We have become aware of the responsibility for our attitude towards the dark pages in our history. We have understood that bad service is done to the nation by those who are impelling to renounce that past.
A love of books, of holding a book, turning its pages, looking at its pictures, and living its fascinating stories goes hand-in-hand with a love of learning.
We can and must turn this page if we are friends and are prepared to look one another in the eye.
Liberman said to me, 'I must cut back on the work you do for Vogue. The editors don't like it. They say the photographs burn on the page . After some years, I began to understand that what they wanted of me was simply a nice, sweet, clean-looking image of a lovely young woman.
Well, I'm a slow writer. For me, a good day is a page, maybe a page and a half. I'd love to be more efficient, but I am not.
I'll get a three-page letter and the last paragraph says 'I know you'll never read this, but here's my number.' I love to call those people because the first thing they say is, 'Governor, I didn't mean everything I said in the letter about you.'
The tragedy in his life already existed. To love an atmospheric spirit. That was the real sorrow. Hopelessness itself. Nowhere on the printed page, nowhere in the annals of man, would her name appear: no local habitation, no name. There are girls like that, he thought, and those you love most, the ones where there is no hope because it has eluded you at the very moment you close your hands around it.
In the first few pages, Kundera discusses several abstract historical figures: Robespierre, Nietzsche, Hitler. For Eunice's sake, I wanted him to get to the plot, to introduce actual "living" characters - I recalled this was a love story - and to leave the world of ideas behind. Here we were, two people lying in bed, Eunice's worried head propped on my collarbone, and I wanted us to feel something in common. I wanted this complex language, this surge of intellect, to be processed into love. Isn't that how they used to do it a century ago, people reading poetry to one another?
Words like passion and ecstasy, we learn them but they stay flat on the page. Sometimes we try to turn them over, find out what's on the other side, and everyone has a story to tell os a woman or a brothel or an opium night or a war. We fear it. We fear passion and laugh at too much love and those who love too much.
I am trying to get the hang of this new fangled writing machine, but I am not making a shining success of it. However, this is the first attempt I have ever made & yet I perceive I shall soon & easily acquire a fine facility in its use. ... The machine has several virtues. I believe it will print faster than I can write. One may lean back in his chair & work it. It piles an awful stack of words on one page. It don't muss things or scatter ink blots around. Of course it saves paper.
The latest page I've been working is about the organization of the pantheon of the gods. Who's indebted to whom, how they are related, who screwed whose uncle or grandmother, all of that.
Women in America read 'lifestyle' pages which are really glorifications of shopping. They teach us we must veil ourselves in make-up to be loved. And we willingly take the veil, thinking ourselves freed by it. Make-up is no more optional for us than the veil is for Arab women: it is our Western version of the chador.
I work sometimes from outlines, which are immediately abandoned. Sometimes, when I'm trying to find the characters, I'll sketch things out a bit. Sometimes, outlines help me aim a little bit, but I tend to find it's usually much more interesting, especially with the first draft, to spew it onto the page. I used to get very nervous that, if I write this first rough draft and I die that night, whoever finds it might think that I thought it was good. For me, it's much more important to get some general shape onto the page and later take all the time I need to refine it, fix it, and rewrite it.
Actually, who hasn't been through the ghastly experience of sitting in front of a blank page, with its toothless mouth grinning at you: Go ahead, let's see you lay a finger on me? A blank page is actually a whitewashed wall with no door and no window. Beginning to tell a story is like making a pass at a total stranger in a restaurant.
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