I revise like crazy. I start revising before the pen hits the paper.
You could be attached to merely a description of a plant or a flower. Or a narrative of an event. Or rage at injustice. Isaiah and the other Hebrew prophets, in their rage, were being altogether attached - not at all detached, although as I think of the word "detachment," I also think of a sheet of paper, loose from its notebook, fluttering around somewhere in the wind trying to find its home again.
I enjoy films where two characters are coming of age, just different ages. That's why I love 'Paper Moon' so much.
Sometimes when I am drawing outside - when it is cold out it gets difficult (my hand gets slower when it is really cold) because I do not like wearing a glove while drawing, because I cannot feel the paper right.
I wrote my first song when I was nine, and it was called 'Notice Me'. My Mom still has the piece of paper around somewhere, but I can't even imagine how terrible it is.
I got a parking ticket one time in L.A. and I was furious about it. I was trying to prove a point to the guy who gave it to me and I put it in my mouth and chewed it up. And the guy just kept watching me, like, "Yeah?" He didn't think I was going to finish the job. So then I swallowed it. The good news is that paper is not a big deal if you eat it.You'd be full, but you could eat the phone book. So that was the weirdest thing: a parking ticket.
A book is not only written - after it's finished it starts writing you, the writer. You become its notebook, its sheet of paper on which it forces you to think and rethink your original ideas, your topics, your research, actually everything.
Europe is not becoming more unified - well, yes, on paper - but not as long as the criteria for so many things (import regulations, border control, visa politics...etc.) are still made in an unjust, unreasonable way.
George Burns, what a man. He read in the paper that it takes ten dollars a year to support a kid in India. So he sent his kids there.
Journalism is a great profession. It's complicated now. People talk about the demise of investigative reporting. I was a judge in some award contest recently, and the stuff that is being done by major newspapers, and local, regional papers around the country, is great. Newspapers play an amazing role in our society, and I still think they are important. I'm sorry newspaper circulation is down. Ultimately, the importance of newspapers can't be replaced.
You couldn't even write me a paper about the roles you would dream of playing in modern musical theatre.
I didn't learn how to read and write until pretty late, and it was this very mysterious, incredible thing, like driving, that I didn't get to do. And then I started writing things down on little scraps of paper and I would hide them. I would write the year on them and then I would stuff them in a drawer somewhere. But I didn't start to really read until about eight. I'm dyslexic, so it took a long time.
You just pick up any paper, and it's always talking about, how are we going to overthrow Donald Trump? I'm representing a tremendous - I'm representing millions of people that have - really feel angry and disenfranchised. And these are great people. And they like me and I love them. And I'll tell you what. We're not being treated right.
I'm a bit of a control freak, so I always appreciate being inside the nuts and bolts of the music - I don't like newer programs that paper over your cracks.
If you depend on a single industry, if you don't continuously upgrade it, if that industry is not producing real wealth, if it's simply shuffling paper from here to here in a very efficient manner sometimes, that's not enough and that's not where you begin to get the rest of your jobs.
I had Paterson, and The Art Lover, to guide me for The Tales of Horror (written from 1988-'97 and published in 1999), but I still was so lost, back then, as I tried to understand what I was writing and how it went together. There was a draft of that manuscript that had all these brightly colored paper clips on the pages so I could visualize what I saw as the book's themes and threads - that was a long time ago.
I like to figure out what the production opportunities are for the things I'm interested in before I put pen to paper.
I think all the obituaries for newspapers we're hearing are premature. Many papers are belatedly but successfully adapting to the new news environment. I
If on paper one would say, "You're gonna spend three weeks in Death Valley," you say, "No, I'm not going to be able to." Very often, very quickly you forget about it.
If you calculate every single thing you could possibly need in your life, you would need no more than 200 people to keep all that afloat: a doctor, food, wine, cheese-eating friends, the person who makes paper, the shoemaker.
I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.
The moment you put something down on paper it forces you to organize and arrange these thoughts a little better.
There's this phase in the middle of the process where there's still the potential that this will be great, but it's not a blank sheet of paper anymore, and that phase is always my favorite part and the part that I tend to want to stretch out and spend as much time in as possible.
Rituals are important. I get up. I take the dogs on a walk around to the front and then I pick up the papers. Then I walk around to the front door, then me and the two dogs come in the house and I give them treats. I make coffee. It's the regularity of these kinds of rituals that I find deeply satisfying.
Writing a book is the most difficult, anxiety-prone aspect of my life because the words that I put on paper are very serious to me.
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