RESPIRATOR, n. An apparatus fitted over the nose and mouth of an inhabitant of London, whereby to filter the visible universe in its passage to the lungs.
Becoming internally empowered shifts a person's center of gravity from external to internal- a mark of spiritual passage.
The music began, passages of immense technical complexity fluidly bridging Caravaggio’s chiaroscuro with Renoir’s impressionism. The gloom and shadows of claustrophobic chambers contrasting with the vibrant radiance of a wide-open landscape. The realism of humanity down to its dirty nails and rotten wounds combined with the fleeting sanguinity of the moment.
The overcoming of adversity and, ultimately, denying it the rite of passage, has been a constant and perpetual motive throughout my life.
There should be a period of time during each practice session when you perform. Invite some friends in to your practice room and play a passage or a page of something. ... What I'm trying to indicate is that each day should contain some amount of performing. You should engage in the deliberate act of story telling each day you practice. Don't only gather information when you practice, spend time imparting it. This is important.
I love inscriptions on flyleaves and notes in margins, I like the comradely sense of turning pages someone else turned, and reading passages someone long gone has called my attention to.
I look upon every good man, as a good book, lent by its owner for another to read, and transcribe the excellent notions and golden passages that are in it for his own benefit, that they may return with him when the owner shall call for the book again: but in case this excellent book shall be thrown into a corner and no use made of it, it justly provokes the owner to take it away in displeasure. --Funeral of John Upton, Esq
Myth is the practical metabolism of our soulish life, the logic of our obsessions and oversights for which we have no language or code. Myth is the "morality" that the ineffable puts upon us, our unaccountable imperatives, our inexplicably selective clarity and obscurity, the mortal one-sidedness of our talents and wits, the passion and apathy that make such a transient passage through our hapless minds; that weave a pattern of fatality others will see before we do. Myth is distinctively human or sublime higher-order instinct, the "reason" in culture that reason knows not of.
It’s all fine to say, “Time will heal everything, this too shall pass away. People will forget”—and things like that when you are not involved, but when you are there is no passage of time, people do not forget and you are in the middle of something that does not change.
Things go away to return, brightened for the passage
To believe that will has power over potentiality, that the passage to actuality is the result of a decision that puts an end to the ambiguity of potentiality (which is always potentiality to do and not to do) — this is the perpetual illusion of morality.
I can't believe it's actually happening. This is independent adulthood, this is what it feels like. Shouldn't there be some sort of ritual? In certain remote African tribes there'd be some incredible four day rites of passage ceremony involving tattooing and potent hallucinogenic drugs extracted from tree-frogs, and village elders smearing my body with monkey blood, but here,rites of passage is all about three new pairs of pants and stuffing your duvet in a bin-liner.
St. Cyril of Jerusalem, in instructing catechumens, wrote: “The dragon sits by the side of the road, watching those who pass. Beware lest he devour you. We go to the Father of Souls, but it is necessary to pass by the dragon.” No matter what form the dragon may take, it is of this mysterious passage past him, or into his jaws, that stories of any depth will always be concerned to tell, and this being the case, it requires considerable courage at any time, in any country, not to turn away from the storyteller.
The great crimes of the twentieth century were committed not by money-grubbing capitalists but by dedicated idealists. Lenin, Stalin, and Hitler were contemptuous of money. The passage from the nineteenth to the twentieth century has been a passage from considerations of money to considerations of power.
Our Keystone legislation received strong bipartisan support in the Senate. Although it didn't receive the 60 votes necessary for passage, 56 senators - a majority - voted in favor of the bill. Despite President Obama's actively lobbying against the bill, we still won the support of 11 Democrats.
I have taken much pains to know everything that is esteemed worth knowing amongst men; but with all my reading, nothing now remains to comfort me at the close of this life but this passage of St. Paul: "It is a faithful saying, and worthy of all acceptation, that Jesus Christ came into the world to save sinners." To this I cleave, and herein do I find rest.
Every time there are losses, there are choices to be made. You choose to live your losses as passages to anger, blame, hatred, depression and resentment, or you choose to let these losses be passages to something new, something wider, and deeper.
He that embarks on the voyage of life will always wish to advance rather by the impulse of the wind than the strokes of the oar; and many fold in their passage; while they lie waiting for the gale.
[I]t is more convenient to prevent the passage of a law, than to declare it void after it has passed.
The instability of our laws is really an immense evil. I think it would be well to provide in our constitutions that there shall always be a twelve-month between the ingross-ing a bill & passing it: that it should then be offered to its passage without changing a word: and that if circum-stances should be thought to require a speedier passage, it should take two thirds of both houses instead of a bare majority.
We have inherited a fear of memories of slavery. It is as if to remember and acknowledge slavery would amount to our being consumed by it. As a matter of fact, in the popular black imagination, it is easier for us to construct ourselves as children of Africa, as the sons and daughters of kings and queens, and thereby ignore the Middle Passage and centuries of enforced servitude in the Americas. Although some of us might indeed be the descendants of African royalty, most of us are probably descendants of their subjects, the daughters and sons of African peasants or workers.
Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages. Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into. It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.
When I was young I had an elderly friend who used often to ask me to stay with him in the country. He was a religious man and he read prayers to the assembled household every morning. But he had crossed out in pencil all the passages that praised God. He said that there was nothing so vulgar as to praise people to their faces and, himself a gentleman, he could not believe that God was so ungentlemanly as to like it.
All the dark, intricate, puzzling providences at which we were sometimes so offended...we shall [one day] see to be to us, as the difficult passage through the wilderness was to Israel, "the right way to the city of habitation".
I don't expect that because I was successful in one field that I will then get a ride of passage into another.
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