I think there's going to be a very sudden shift in people's perception of the International Space Station, because suddenly it's going to look much, much bigger than it already is.
An artist is a prophet and seer, not a paint craftsman or design maker, or reporter or entertainer... the artist has the superiorly searching perception with which that world outside of man's contamination can be penetrated and the truth drawn out from it.
A lot of people feel trapped by circumstance, by the expectations of others or the perception that they need a lot of money. They would like to have a different direction in their lives, but they're held back by fear or desires that are incompatible with that freedom.
I am concerned about ageism and the loss of beauty - the perception that as you grow older, you 'lose your looks,' which I think is diabolical.
The perception of the comic is a tie of sympathy with other men.
All the love and joy that a man has ever received in perception is laid up in him as the sunshine of a hundred years is laid up in the bole of the oak.
I don't need to praise anything so justly famous as Frost's observation of and empathy with everything in Nature from a hornet to a hillside; and he has observed his own nature, one person's random or consequential chains of thoughts and feelings and perceptions, quite as well. (And this person, in the poems, is not the "alienated artist" cut off from everybody who isn't, yum-yum, another alienated artist; he is someone like normal people only more so - a normal person in the less common and more important sense of normal.)
Like all real treasures of the mind, perception can be split into infinitely small fractions without losing its quality. The weeds in a city lot convey the same lesson as the redwoods; the farmer may see in his cow-pasture what may not be vouchsafed to the scientist adventuring in the South Seas.
Myth is the system of basic metaphors, images, and stories that informs the perceptions, memories, and aspirations of a people; provides the rationale for its institutions, rituals and power structure; and gives a map of the purpose and stages of life.
When we say 'time', I believe we mean at least two things. We mean changes. And we mean something unchangeable. We mean something that moves . but against an unmoving background. And vice versa.Animals can sense changes. But consciousness of time involves the double sense of constancy and change. Which can only be attributed to those who give expression to it. And that can only be done through language, and only man has language.The perception of time and language are inextricably bound up with one another.
I was now at a university in New York, a professor of existential psychology with the not inconsiderable thesis that magic, dread, and the perception of death were the roots of motivation.
The dice cannot read their own spots.
From one point of view becoming is a humiliation, and from another a royal procession.
Sculpture is a series of 3-dimensional shapes which, while fitting together, cause the perception of lines to the viewer, even where they do not exist.
If things look right on the surface the underside is rarely questioned. However, things may be great in reality, but if one perceives them to be amiss, it is difficult to change that perception.
Female success stories from sporting events like the Olympic Games have played a role in shifting the Indian perception to see the female athlete as a hero and a role model for young Indian girls.
Perception number one, how you want people to think about you when you arrive and perception number two, how you want them to talk about you once you have left.
Language always preserves a play or figure/ground relation between experience, and perception and its replay in expression.
When a man makes a poem, makes it, mind you, he takes words as he finds them interrelated about him and composes them - without distortion which would mar their exact significances - into an intense expression of his perceptions and ardors that they may constitute a revelation in the speech that he uses. It isn't what he says that counts as a work of art, it's what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.
I don't have an audience in mind when I write. I'm writing mainly for myself. After a long devotion to playwriting I have a good inner ear. I know pretty well how a thing is going to sound on the stage, and how it will play. I write to satisfy this inner ear and its perceptions. That's the audience I write for.
We properly judge a critic's virtue not by his freedom from error but by the nature of the mistakes he does make, for he makes them, if he is worth reading, because he has in mind something besides his perceptions about art in itself - he has in mind the demands that he makes upon life.
Boredom lies only with the traveler's limited perception and his failure to explore deeply enough. After a while, I found my perception limited.
I have always wanted to play different kinds of stuff, but it's hard, first to find good material, and then to change people's perception of you so they'll let you do it. I mean, I would really like to play a poet, but once they get this notion of you as a street guy, it's hard to change that.
What I desire of a poem is a clear understanding of motive, and a just evaluation of feeling A poem in the first place should offer us a new perception..bringing into being a new experience Verse is more valuable than prose for its rhythms are faster and more highly organised and lead to greater compexity.
The sexist perception that violence by anyone against only women is anti-woman while violence by a woman against only men is just generic violence creates a political demand for laws that are even more protective of women.
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