I'm honored to be in a position to have young girls or performers look up to me.
No matter what, I will always prefer a live performance. Whether it be a play or a musical, or playing music live. As long as it's live, it's the best because there's sort of an immediacy to connection between an audience and a performer, whereas where you do film or television, you're at the whim of so many different forces.
I think it's an essential fact for any performer or artist to fail as poignantly as they can succeed.
As a performer, I wanted to be the loudest, most persistent alarm clock I could be, because there didn’t seem like any other way to snap society out of its Christianity- and media-induced coma.
Hollywood studio executives don't recognize the value of female performers as much as male performers.
The kind of commitment I find among the best performers across virtually every field is a single-minded passion for what they do, an unwavering desire for excellence in the way they think and the way they work. Genuine confidence is what launches you out of bed in the morning, and through your day with a spring in your step.
One's concentration as a performer must remain centered on the action of which one is a part. For it is in truth only one's own concentration on the imagined reality of the role that can force the audience's attention to that same place.
Ballet dancers are a self-chosen elite. To survive and surmount years of disciplinary preparation and seasons of even more arduous performance requires rigid determination and almost mindless self-abnegation. One other factor is difficult to predetermine: without a certain admixture of hysteria - sometimes masking as self-obsession, sometimes even counterfeiting incipient madness - performers, at once acrobats, artists, and animals, make little public impression.
All dance has expression. If there is no expression, I prefer the circus. The performers do more dangerous, more difficult technical things than we do. But we are dancers. We have to express and we have to project.
People think because I can make them laugh on the stage, I'll be able to make them laugh in person. That isn't the case at all. I am essentially a rather quiet, dull person who just happens to be a performer.
It was like Mama suddenly realized I was good, that she didn't have to apologize for me. It was the strangest feeling. One minute I was on stage with my mother, the next moment I was on stage with Judy Garland. One minute she smiled at me, and the next minute she was like the lioness that owned the stage and suddenly found somebody invading her territory. The killer instinct of a performer had come out in her.
I don't want to be the oldest performer in captivity... I don't want to look like a little old man dancing out there.
Celebrity is a mask that eats into the face. As soon as one is aware of being somebody, to be watched and listened to with extra interest, input ceases, and the performer goes blind and deaf in his over-animation. One can either see or be seen.
They who are to be judges must also be performers.
Even the most irresistible flowering plant, one that I call a 'key' performer, is part of a whole cast; it has to be considered as a component in an overall look as well as for its individual charms.
There are few performers who would have had the audacity to even bring up the fact that they had been poorly reviewed.
Almost all of the world-class athletes and other peak performers are visualizers. They see it; they feel it; they experience it before hey actually do it. They begin with the end in mind.
I don't know what the hell I'm doing up there half the time. These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what technique means. But I do know what experience is. I know in my gut when I've done a scene right.
Veteran performers are dying off, and new acts simply aren't emerging on the national scene.
Failing to differentiate among employees — and holding on to bottom-tier performers — is actually the cruelest form of management there is.
The Role of Deliberate Practice in the Acquisition of Expert Performance”: “The differences between expert performers and normal adults are not immutable, that is, due to genetically prescribed talent. Instead, these differences reflect a life-long period of deliberate effort to improve performance.
Children who willingly participate in sexual acts have the right to make that decision as well, even if it's distasteful to us personally. Some children will make poor choices just as some adults do in smoking and drinking to excess; this is part of life. When we outlaw child pornography, the prices paid for child performers rise, increasing the incentives for parents to use children against their will.
Free improvisation, in addition to being a highly skilled musical craft, is open to use by almost anyone-beginners, children, and non-musicians. The skill and intellect required is whatever is available. Its accessibility to the performer is, in fact, something which appears to offend both its supporters and detractors....And as regards method, the improvisor employs the oldest in music-making...Mankind's first musical performance couldn't have been anything other than a free improvisation.
As a performer you are being used to keep people watching so the commercial endorsements that support the network can be seen by as many people as possible.
My folks were country music performers. They made records and even did a few tours with the Grand Ole Opry. There always were a lot of guitarists around.
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