Justin Di Cioccio led a jazz program at Music and Art, but there was no jazz in Performing Arts. After they joined, it became Laguardia School of Arts.
I'm really lucky, I have my performing career so I can continue to do personal appearances. Most actors have to do a film. But I thought I would wait until I found something I really liked.A lot of my friends feel that I'm wrong to wait. They say I should have done My Bodyguard, but I don't think so. I think I've been right.
The idea of social performance, that we're always performing identities, is something I got fairly obsessed with. I think it's probably because I am a person who went to 15 different elementary and middle schools. I moved all the time, often having to run out in the middle of the night because my mom couldn't pay the bills. There were schools where I'd be the poor loser kid. There were schools where I'd suddenly be the smart kid or the cool kid, although that was very seldom.
I think in the end there is one ultimate goal with all my careers, and that is, as a performing artist, you want to explore the deepest, most truthful way to express a point of view, or whatever the character is thinking, or whatever emotion you're trying to convey. I think with the different media it's just about what muscles you use to express that.
I think it comes down to the type of personality that the performing arts seem to attract. And that's outgoing, very sensitive - sometimes incredibly insecure - people, that for some reason need a lot of validation. They have a lot that they have to get out, and they choose one of the hardest professions in the world in which to exist, being as sensitive as you need to be.
In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.
I think for a lot of people that are in performing arts, it's easy to fall into the trap of starting to confuse what's real life and what's not, because to your body it's all real.
Performing to me is the most vital, most important. It's my favorite part of all of it. I just want to be on stage.
What I find the challenge is with working with, say, digital machines - performing electronic music - is that when we play instruments there's a physical act that results in a physical vibration. There's a mapping between our exertions and resultant vibrations, or resonance.
I've been a comedian for a long time so writing and performing is a big part of what I do. If anybody's doing comedy they should also work on writing.
I think when I work with actors it's all about a process of learning to be private in public, instead of performing in public. Which is what women do: we perform, especially our sexuality.
Performing as a musician is a lot different than performing as an actor. As an actor, you can hide behind the character in the play, and there's a director and other actors. When you're a musician, you're right there. It's sort of like being a comedian. You're giving the audience in real time something authentic from yourself. As an actor, my bullshit meter was going off like crazy at my first attempts to find my own rock star.
Artists should re-emphasize performance and de-emphasize recording. You always make more money if you have a healthy performing life than you will if you have even a moderately healthy recording life. Don't make recording the most important thing you do. Make performing the most important thing you do, and then you can make recordings and sell them at your shows, because record labels aren't going to be around to help you get on the radio stations, and the radio stations probably aren't going to play you anyway.
In schools where parent involvement is greater, you do have higher achievement levels and better functioning, better performing schools.
There’s a belief now that the problem with our schools is parents, that if we just had better parents we would have better performing kids and, therefore, we wouldn’t have a problem at all. But what’s missing in that equation is that you do have a lot of parents in this country who are very involved in their children’s education and who do want something better. They want to see better for their kids. They know that they’re in schools that aren’t performing particularly well and if you look at how we treat those parents, it is quite poorly.
Trump is the living embodiment of the main character in the film American Psycho, a symbol of corporate domination on steroids, an out-of- control authoritarian parading and performing unknowingly as a clown, and as a symbol of unchecked narcissism and a bearer of a suffocating culture of fear. He is the symbol of a failed sociality and a declining social order.
My tendency to internalize emotion is probably why I'm an actor. I'm comfortable performing angrily but have such difficulty expressing anger in my life.
There will always be situations in which conflicts arise between individual and communal values - Catholic police officers deployed to enable women to enter abortion clinics without harassment and doctors who oppose performing abortions. No social role is free of such potential conflicts.
Companies that understand the purpose and philosophy behind the "why" are usually astute, high- performing organizations that tap directly into the pulse of those they benefit the most. When utilized correctly, this understanding can create a powerful sense of duty and purpose for business teams because the employees know exactly whom they are working for and to what end.
I thought I wanted to be a performing and recording artist, and played many recitals and performances beginning in the 1970s. In the 1980s I went to the British Library and ordered and received reels of historical women and men keyboard composers, and thus was born Vivace Press.
We don't think of ourselves in Cafe Tacvba as representatives. When we go and make new material, we feel that our creations are more authentic if we think of ourselves. We don't say, "Let's be the representatives and show the moment that our society is in." But when it comes to performing and we visit other countries, like New York, many people approach us, people who are outside of their own country, and we become a referent. Our shows become this sort of ritual, and our performances become that moment of identity.
I think there is just this inherent understanding between us at a subconscious level when we play. It's like we anticipate each other's next move before it's made and we all land together somehow. It's that "something" that really good bands have that makes what they do unique. It's also something that is easy to take for granted, especially as the years spent performing together go by.
I think it'll take a while to adjust, but when you think about just the creativity of people and what they're capable of and the sort of aspirations and dreams that they have, the idea that they're not capable of anything more than sort of performing these automatable clerical tasks, I don't believe that for a second.
I don't know if I will ever get sick of performing a song called 'Feels Like Loneliness' from Evolution. It's inspired by one of my favorite songs, 'Fever' by Peggy Lee. It's got a jazzy feel to it and I'm always able to put on a bit of character when I sing it, which is fun.
The way I view touring and shows, for me, is that I really like playing, but that's not the thing that fuels me. I am much happier writing and recording. For me, performing is exclusively for other people. I let people write me to tell me what they want to hear. I'll play any of it.
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