Photograph Quotes - Page 9

• I bought my first camera to photograph my brother's children. I learned a lot from that experience. The value of innocence and of not being focused on yourself, and I have to say that these things have remained with me to this day. I can immediately feel when someone is putting on a camera face.

  Peter Lindbergh

  Brother, Children, Cameras

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• I personally prefer working digitally because it allows me to work quickly and cleanly. I don't have to buy paint or brushes or canvases, I don't have to wait for paintings to dry before sending them to clients, I don't have to photograph or scan my final work, and I can make edits immediately and easily.

  Julie Dillon

  Waiting, Clients, Finals

  Source: littleredreviewer.wordpress.com

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• I would love to photograph Angelina Jolie. A friend of mine is working with her on her next film and told me what I was already suspecting, that she is extremely interesting. I have never seen a picture of her that conveys all of her complexity. That would be a fabulous challenge, to find that in a photograph.

  Peter Lindbergh

  Interesting, Challenges, Would Be

  Source: www.interviewmagazine.com

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• I love telling stories. And even in single images, I tend to have stories inside them. I've always loved film, but I was making drawings and paintings and photographs. And you put art and narrative together, and that really is comics.

  Dave McKean

  Art, Drawing, Together

  Source: www.avclub.com

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• The Hubbell space telescope, it's first year up after they fixed it, categorized and counted 500 billion galaxies in any one photograph field of view of dark matter. That's like grains of sand at the beach and you've just got a handful. It's massive amounts. I'm sure that of all of the galaxies, and I'm sure the universe is teeming with life.

  Alex Jones

  Beach, Dark, Views

  Source: www.dailykos.com

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• Picture yourself during the early 1920's inside the dome of the Mount Wilson Observatory. ... Humason is showing Shapley stars he had found in the Andromeda Nebula that appeared and disappeared on photographs of that object. The famous astronomer very patiently explains that these objects could not be stars because the Nebula was a nearby gaseous cloud within our own Milky Way system. Shapley takes his handkerchief from his pocket and wipes the identifying marks off the back of the photographic plate.

  Halton Arp

  Stars, Science, Clouds

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• ...Which brings me to the Hubble Space Telescope's newest images. If it's wonder that you're looking for, and mystery, don't just scan the photographs. Stop and think about them. Try to imagine the scale. The Earth is just a speck of dust on one distant whirling tentacle of the Milky Way galaxy, which contains billions of stars. A 'collision' of galaxies seems unimaginably large - and yet it is something scientists long ago imagined... The imaginings of pseudoscience are feeble by comparison.

  Mark Bowden

  Stars, Thinking, Space

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• I make photographs and still make photographs of the natural environment. It's a love because that was part of my life before I was involved in photography.

  John Sexton

  Photography, Love Is, Environment

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• The greatest compliment that I know how to pay another photographer is to say, 'I never would have made that photograph myself. I'm sure glad you did.' You hope along the way that maybe, once in a while, you do that for someone else.

  John Sexton

  Photography, Pay, Way

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• Obviously, we can see what was in front of the camera, but if a photograph is honestly made, it's a bit of a self-portrait. I think it's impossible for a photographer who is working honestly to keep this from happening.

  John Sexton

  Photography, Thinking, Self

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• "It is light that reveals, light that obscures, light that communicates. It is light I "listen" to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quiet, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening - a time for making photographs. "

  John Sexton

  Photography, Sunset, Light

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• You can also see sometimes that the best pictures are the ones where you didn't try so hard, where you were just enjoying the process - and you didn't even know why you were making the picture. It felt right. If someone asked, 'Why are you making this picture?' you probably couldn't describe it very well - and that's why it needs to be a photograph.

  John Sexton

  Photography, Trying, Needs

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• I collect rare photographs... I have two... One of Houdini locking his keys in his car... the other is a rare picture of Norman Rockwell beating up a child.

  Steven Wright

  Children, Keys, Two

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• The only times we are consciously aware of the authorship of a photograph, I would argue, are when we contemplate the photographs we ourselves have taken (or those of friends and family) or when we go deliberately to the photographers monograph or exhibition. The signed image - the appropriated, the owned image - is by far the rarest in this pullulating world of pictures.

  William Boyd

  Taken, Family And Friends, World

  William Boyd (2008). “Bamboo”, p.350, A&C Black

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• During the winter when the weather is too poor to work outside, I do use drawings and photographs, but I change my work so it is not just a time and place study.

  John Dyer

  Winter, Weather, Drawing

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• I remembered seeing it and it was this metallic turbine and I thought it was beautiful. I had never been in a power plant before, but I felt, without being overly dramatic, compelled to make photographs of this for myself.

  John Sexton

  Beautiful, Artist, Photographer

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• There is a considerable amount of manipulation in the printmaking from the straight photograph to the finished print. If I do my job correctly that shouldn't be visible at all, it should be transparent.

  John Sexton

  Photography, Jobs, Manipulation

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• Everyone has seen photographs of Mexicans wearing those big sombreros. When you come to Mexico, the astonishing thing is, nobody wears these hats at all.

  Bruce Beresford

  Hats, Mexico, Sombreros

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• Photographs are not only points of reference... they're often triggers of ideas.

  Francis Bacon

  Ideas, Triggers

  David Sylvester, Francis Bacon (1975). “Francis Bacon”, Pantheon

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• I had always been kind of obsessed with making a home of my own and was always drawing rooms that I wanted to live in, down to pictures on the wall and the faces that would be in the photographs.

  Michelle Williams

  Wall, Home, Drawing

  "Biography / Personal Quotes". www.imdb.com.

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• People often trust low-res images because they look more real. But of course they are not more real, just easier to fake. [...] You never see a 10-megapixel photograph of Big Foot or the Abominable Snowman or the Loch Ness Monster.

  Errol Morris

  Real, Feet, People

  "Photography as a Weapon". opinionator.blogs.nytimes.com. August 11, 2008.

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• I think we get into all kinds of difficulty by saying photographs should be taken in a certain way which guarantees their veracity. I think that's a slippery slope to hell.

  Errol Morris

  Taken, Thinking, Guarantees

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• A very faithful drawing may actually tell us more about the model but despite the promptings of our critical intelligence it will never have the irrational power of the photograph to bear away our faith.

  Andre Bazin

  Drawing, Faithful, May

  André Bazin (2005). “What is Cinema?”, p.14, Univ of California Press

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• [The photograph] is the object itself... [It] shares, by virtue of the very process of its becoming, the being of the model of which it is the reproduction; it is the model.

  Andre Bazin

  Becoming, Virtue, Share

  André Bazin (2005). “What is Cinema?”, p.14, Univ of California Press

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• Photographs have always been the tar baby of censors and obscenity laws. Literature can certainly (if it's any good) conjure up the most pornographic imagination. But photographs dare to be real. No matter how contrived or constructed they are, there's that damn body staring you in the face.

  Susie Bright

  Baby, Real, Law

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