Your time is limited, so don't waste it living someone else's life.
As an actor, the second and last ones were interesting for me. Because those parts had the most change in playing someone who was both light and dark, sort of Jekyl and Hyde.
Even when I'm playing someone named 'Fat Amy.' I'm all about confidence and attitude.
It's much less interesting as an actor playing someone who's purely good or purely evil.
When you're a movie star and you're young, you are always playing someone who's a better fighter, a better lover, a better everything than you.
If I'm playing someone who's smart, suddenly every character I've played is smart. If I'm playing a bad guy, every character is a bad guy. I suppose it's that thing where people want to see a through-line to understand you. I mean, you know, I have played pretty ordinary people too.
In The Godfather, for instance, they say they won't deal drugs because they have a code of behaviour. He is the last remnants of that. So playing someone like that, who is also in pain with his kidney stone, means you're beginning to find a dimension of the guy who is king and all show and the private guy who is in pain.
There's something very intoxicating about playing someone so volatile and someone who can lose his temper at any second.
It's almost jarring when you go to play a different character, after playing someone for so long. I love it!
I am not confident unless I am playing someone else.
When you take on the idea of playing someone like Jimmy Bulger, it's a radically different process because you're going into make-up. The only way you can do it is to come out of make-up looking like the guy. If you don't look like the guy, it's going to bug you, all day.
I've never worn incredible clothes - I'm not used to playing someone so put together and fashionable.
There is something to the fact that when you're on stage or when you're playing someone else, you're able to transmute all the things inside you that maybe get a bit blocked by the wall of shyness, or the wall of anxiety, or [by] overthinking. They sort of fall away in that moment and channeled into something else.
When I am playing a role far away from me with an accent that is not mine I always employ a dialect coach. I am almost always playing someone that has an accent that is not mine.
On the basis of being a woman, by playing an alien, I avoid playing someone's girlfriend here on Earth because that's a bit of a canker sore.
If you're playing someone who's got marital problems, you have to play someone who's trying not to have marital problems. So, you've got to get into the problem first.
I was able to be distant by portraying another person, another character, if you will, and I found myself not stuttering and not having anxiety attacks when I was portraying another soul, another being, and I found comfort in that. I think many actors do, playing someone other than themselves.
There is nothing nicer than playing someone who is cooler, tougher, more virtuous and sexier than yourself and thinking, 'I can be anyone.
I think the best roles are in dark movies. It's roles that aren't you. It's fun playing someone that's not me. If I'm playing me all the time, then it's not acting. It's just being yourself.
If you're playing someone who's impeded by fear, or shyness, or has whatever dysfunction your character might have, you have to achieve the dysfunction first, imaginatively, in order to play someone who is trying to negotiate their way out of it.
Human beings have a bunch of different dimensions, so even if you're playing someone who you think maybe the audience might not like, might not be going for, you still have to give them the dimensions to make them a real human, otherwise there's no point.
I think that when you're playing someone who does really questionable or even really terrible things in a movie, it's important to show where that person is coming from. They're doing it from a necessary impulse. There is a struggle that's going on within them as a human.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
Playing someone drum 'n' bass for the first time in 'Pass Out' - they're like, 'Oh my God, what is this?' I'm having a lot of fun and a good time showcasing the music.
I couldn't imagine playing someone young now; it would be so boring
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