We are born poets. we become orators.
What a conception of art must those theorists have who exclude portraits from the proper province of the fine arts! It is exactly as if we denied that to be poetry in which the poet celebrates the woman he really loves. Portraiture is the basis and the touchstone of historic painting.
It was not the purpose of poetry to record anything and everything, to merely describe either the outer world or some subjective mood, but to speak from the imagination of the poet to the imagination of the reader.
I am not just a lesbian. I am not just a poet. I am not just a mother. Honor the complexity of your vision and yourselves.
If you know much about your work - why you work, how you work, your aims - you are probably not a poet.
God is the poet; men are but the actors. The great dramas of earth were written in heaven.
There are two kinds of poets: those who feel and those who express themselves. The former are happier.
Subtract from many modern poets all that may be found in Shakespeare, and trash will remain.
Constancy will always be the genius of love, the indication of that strength which constitutes the poet. A man should possess all women in his wife, like those squalid poetasters of the seventeenth century who made fair Irises and dazzling Chloes of their lowly Manons.
Are not poets men who fulfill their hopes prematurely?
How far we are going to read a poet when we can read about a poet is a problem to lay before biographers.
Poets and men of action differ: the former yield to their feelings in order to reproduce them in lively colors, and therefore judge only ex post facto; the latter feel and judge at one and the same time.
if you think it so easy to be a critic, so difficult to be a poet or a painter or film experimenter, may I suggest you try both? You may discover why there are so few critics, so many poets.
Truth is far and flat, and fancy is fiery; and truth is cold, and people feel the cold, and they may wrap themselves against it in fancies that are fiery, but they should not call them facts; and, generally, poets do not; they are shrewd, they feel the cold, too, but they know a hawk from a handsaw, a fact from a fancy, as none knows better.
Poets, when they write of love, give themselves and everyone else away!
The poets have familiarized more people with history than have the historians.
Tis a question whether adversity or prosperity makes the most poets.
You must continue. Poets are the ones who change the world.
To write about the monstrous sense of alienation the poet feels in this culture of polarized hatreds is a way of staying sane. With the poem, I reach out to an audience equally at odds with official policy, and I celebrate our mutual humanness in an inhuman world.
Poetry and preaching do not go well together; when the preacher mounts the pulpit the poet usually goes away.
I will not go so far as to say, with a living poet, that the world knows nothing of its greatest men; but there are forms of greatness, or at least of excellence, which "die and make no sign"; there are martyrs that miss the palm, but not the stake; heroes without the laurel, and conquerors without the triumph.
Poems reveal secrets when they are analyzed. The poet's pleasure in finding ingenious ways to enclose her secrets should be matched by the reader's pleasure in unlocking and revealing these secrets.
The reason modern poetry is difficult is so that the poet's wife cannot understand it.
A poet or novelist will invent interruptions to avoid long consecutive days at the ordained page; and of these the most pernicious are other kinds of writing -- articles, lectures, reviews, a wide correspondence.
For me, a poet is someone who is 'in contact.' Someone through whom a current is passing.
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