How far we are going to read a poet when we can read about a poet is a problem to lay before biographers.
We are born poets. we become orators.
Truth is far and flat, and fancy is fiery; and truth is cold, and people feel the cold, and they may wrap themselves against it in fancies that are fiery, but they should not call them facts; and, generally, poets do not; they are shrewd, they feel the cold, too, but they know a hawk from a handsaw, a fact from a fancy, as none knows better.
Poets, when they write of love, give themselves and everyone else away!
The poets have familiarized more people with history than have the historians.
Tis a question whether adversity or prosperity makes the most poets.
The Church has lost a great religious poet in me; but I have lost an infinity of fun in the church, so the loss is even.
Poems reveal secrets when they are analyzed. The poet's pleasure in finding ingenious ways to enclose her secrets should be matched by the reader's pleasure in unlocking and revealing these secrets.
The reason modern poetry is difficult is so that the poet's wife cannot understand it.
Academia is a graveyard of poets.
It was not the purpose of poetry to record anything and everything, to merely describe either the outer world or some subjective mood, but to speak from the imagination of the poet to the imagination of the reader.
I am a Black Lesbian Feminist Warrior Poet Mother, stronger for all my identities, and I am indivisible.
If you know much about your work - why you work, how you work, your aims - you are probably not a poet.
I feel that women of my kind are a profound mistake. There have been few women poets of distinction, and, if we count only the suicides of Sappho, Lawrence Hope and Charlotte Mew, their despair rate has been very high.
who can Perswade more Powerfully than Poets?
Five golden years, Heart of Mine, have we walked the way of life together, and there is not an hour I would have changed; there is no moment when I would have you other than you have been. It is the fashion these days, I know, to say that love ends at the altar, but it is not so. You and I have found the old dream of the world divinely true. It is neither a poet's fancy nor a trick of the imagination, but a thing of fadeless and unending beauty.
Of little use, the man you may suppose, Who says in verse what others say in prose; Yet let me show a poet's of some weight, And (though no soldier) useful to the state, What will a child learn sooner than a song? What better teach a foreigner the tongue? What's long or short, each accent where to place And speak in public with some sort of grace?
All the best have something in common, a regard for reality, an agreement to its primacy over the imagination. Even the richest, most surprising and wild imagination is not as rich, wild and surprising as reality. The task of the poet is to pick singular threads from this dense, colorful fabric.
Contemporary poets are skeptical and suspicious even, or perhaps especially, about themselves. They publicly confess to being poets only reluctantly, as if they were a little ashamed of it. But in our clamorous times it's much easier to acknowledge your faults, at least if they're attractively packaged, than to recognize your own merits, since these are hidden deeper and you never quite believe in them yourself.
Poets yearn, of course, to be published, read, and understood, but they do little, if anything, to set themselves above the common herd and the daily grind.
When I mention somebody, that doesn't necessarily mean that I identify with him, personally or poetically. I'm extremely happy when I encounter poets who are different than I am. The ones who have their own distinct poetics provide me with the greatest experiences.
Whatever is genuine in social relations endures, despite of time, error, absence, and destiny; and that which has no inherent vitality had better die at once. A great poet has truly declared that constancy is no virtue, but a fact.
How can one express the indefinable sensations that one experiences while writing an instrumental composition that has no definite subject? It is a purely lyrical process. It is a musical confession of the soul, which unburdens itself through sounds just as a lyric poet expresses himself through poetry...As the poet Heine said, 'Where words leave off, music begins.'
other artists - poets, painters, sculptors, musicians - produce something which lives after them and enshrines their memories in positive evidences of their divine mission; but we, - we strut and fret our hour upon the stage, and then the curtain falls and all is darkness and silence.
Honor to the idealists, whether philosophers or poets. They have improved us by mingling with our daily pursuits great and transcendent conceptions. They have thrown around our sensual life the grandeur of a better, and drawn us up from contacts with the temporal and the selfish to communion with beauty and truth and goodness.
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