Poetry is like a puzzle-solving strategy for me. I like to poem my way through tricky questions and ideas. That's about the only consistent thread through my poem-creation process.
Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.
Poets are political, they have to be reflections of their times [because] they're living in their times... Poetry is political in that it's standing in opposition to fascism. Good poetry asks a bunch of questions and asks the audience to interact with themselves or see themselves in it; maybe you like it or you don't like it. But the fascist sort of stuff plays on your fears and tells you to jump on the party line and gives some simple excuses - blame this person.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
Poetry is like air. It's one of the necessary things. Everyone benefits from poetry. And as you know, poetry is international. There are only two things that are truly international, poetry and wine.
My songs were influenced not so much by poetry on the page but by poetry being recited by the poets who recited poems with jazz bands.
What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion. What I'm finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written - out of and amid the dysfunction.
I don't know if you actually get something out of writing poetry. I think poetry is an autonomous muse that decides to come and sit on your couch.
Poetry is music though, unfortunately, not all music is poetry. Because music has other carriers to take its message - beats, lyrics, singers, bass players - anyone in music can rise to make a major statement but in poetry there are only words to do the work. And they do sometimes have to sweat.
I love poetry, be it in music or be it in Andrei Tarkovsky, Francesca Woodman or anyone else, I just love poetry.
On the one hand poetry is useless. It can't change the world materially. On the other hand it is a basic part of human existence. It came into the world when humans did. It's what makes human beings human.
Poetry is a really helpful instrument. It's so physical; the musicality becomes a sort of expression of the body. The mind is there too, in the formal aspects of the poem. The emotions are there in the way the senses gather things into the poem.
Poetry is one of the most full ways of discovering what it feels like to be a human being in this particular moment, in this particular set of concerns. It's all about discovery.
Bringing science into poetry is one way of acknowledging some of the richest stuff that is in my cultural moment.
We're nature. Our minds are nature. Our desire to make poetry is nature.
Poetry is often very critical of the culture from which it emerges. Quite often literary critics of a nationalist bent talk up the national culture, in a way that the literary texts don't. Poetry can bring out areas of denial and repression.
Poetry isn't an efficient tool for preserving experience, any more than it's an efficient mode of communication, but who says that it should be efficient?
For me, poetry is a way of thinking, and like many poets, I'm driven by the idea of trying to find the impossible, perfect words: the words that will hold my subject.
All poetry is political, to some degree.
Poetry is a way of always paying attention to the world for me; a way of letting the world stick to me instead of being anxious or estranged, just being present in the world.
Confessional poetry is, to my mind, more slippery than poems that are sloppily autobiographical; I find the confessional mode much more akin to dramatic monologue.
One of the reasons poetry is such an amazing genre to work with is because it constantly reinvents itself and re-negotiates its terms with the reader.
My poetry is not lyric. The epigrams are lyric because they come from my youthful period of lyricism, but my other poetry is not lyric.
I've always felt that poetry is the enemy of silence, but of course, in the right moments, silence can be useful. The trick is just trying to figure out when. And when I say silence, I suppose I actually meant erasure - poetry is a force against that, I think, or it should be.
It's just poetry, beauty and love. How hard can that be to act?
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