I love pop music, but I love pop music that does something a little bit different.
I love pop music. It's not easy to write a good pop song. It may be easier to put out a fake jazz album, as Sting does from time to time.
And I have a dream of a New American Language, one with a little bit more Spanish. I have a dream of a new pop music, that tells the truth with a good beat and some nice harmonies.
Because for me, '60s pop music is amongst the most complicated or complex music because it has so many resonances which strike you. The music itself is often simple, but the way that I interpret it, or the way I think it's interpreted culturally, is very complex.
Now, the good of business is put above anything else, as corporations have become the new ruling body. Most decisions seem to be made like ones of a medieval king: whatever makes profit while ignoring and repressing the truth about whatever suffering it may cause (like pop music, for that matter).
Pop music is not a threatening style of music.
Pop music should be about young people.
I've always thought that actors wanted to be pop musicians and pop musicians wanted to be actors.
Pop music I have always loved best. But the more extreme, fascist-led examples of the music business I tend to detest the most.
Pop music I have always loved best.
I have this massive love for the whole culture of pop music... It's my fascination, my on-going passion.
Dick Clark was a really great influence in my career; he helped me a lot with his whole organization, and they were awesome to me at all different points - but one thing that I really disagreed with him on was when he said that what I do, pop music, is a disposable art form.
Carole King's second album, 'Tapestry,' has fulfilled the promise of her first and confirmed the fact that she is one of the most creative figures in all of pop music. It is an album of surpassing personal-intimacy and musical accomplishment and a work infused with a sense of artistic purpose. It is also easy to listen to and easy to enjoy.
I come from a time when pop music was the coin of the cultural realm and in a certain way was the only coin of the realm; movies didn't matter as much, and not TV - it was all about pop music. In the era when I started - which was the early '60s - it was all about singles leading to albums.
It's kind of like I'm Phil Spector and I'm forcing a young girl to make pop music and perform exhaustively. Except, instead of it being someone else, that girl is also me.
Nirvana was pop. You can have distorted guitars and people say it's alternative, but you can't break out of pop music's constructs and still get extensive radio play and media coverage.
The public, hearing pop music, is, without knowing it, also soaking up jazz.
The pop musicians often leave meaning in the dust and substitute it for cartoons. The deeper artists - the grunge artists in the world and the emoticon people - tend to leave all of the happiness out of life like it just doesn't exist.
Pop music is a fashion, and fashions come and go. The public retires you as their tastes change.
Pop music is created by repression - and then the system takes it and makes even more money with it!
I love Lady Gaga and I love Katy Perry and R&B and rap music... I love big, American pop music.
I consider the Stooges to be pop music.
I've always liked pop music. There was a bit of a misunderstanding with the avant-garde rock scene, because I think I was sort of swimming the wrong way, really.
I was raised on pop music. Anything classical ran together in a complicated blur.
Bob Dylan was the source of pop music's unpredictability in the Sixties. Never as big a record-seller as commonly imagined, his importance was first aesthetic and social, and then as an influence.
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