I write pop songs. But I think it is sprinkled with a lot of counter-culture references. It ranged from rap to hip hop to trip hop, house, drum and bass, and experimental and improv and jazz.
We're into this barrage of pop culture - you know, TV, movies, the Internet. We become creatures that we've made up, made of certain different flotsam from pop culture and certain different personas that are in style.
It's lifestyle music. It's not like some secretary who likes some pop song, but can't name who the band is; whereas a heavy metal fan is into every aspect of it. We'll see if rap holds up to that. Run-DMC seemed to be the Led Zeppelin of rap.
What interests me is to paint the kind of antisensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward - neo-Zen and all that. Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.
I subscribe to National Geographic, Scientific American, Discover, and a slew of other magazines. And it is while reading articles for pleasure and interest that an interesting What if? will pop into my head.
It has been said that the three great develpments in twentieth century science are relativity, quantum mechanics, and chaos. That strikes me the same as saying that the three great developments in twentith century engineering are the airplane, the computer, and the pop-top aluminum can. Chaos and fractals are not even twentieth century ideas: chaos was first observed by Poincare and fractals were familiar to Cantor a century ago, although neither man had the computer at his disposal to show the rest of the world the beauty he was seeing.
I don't follow any of what the pop world is doing. Sometimes I feel like that's a weakness, actually, that I'm too in my own bubble. But I'm really just interested in the inner journey. And pop is all about the exterior world, the material.
Asia is the continent rhythm forgot. At best Asian music is off-brand American pop, like Sonny Bono in a karaoke bar. At worst Asian music sounds as if a truck full of wind chimes collided with a stack of empty oil drums during a birdcall contest.
He would forget everybody's name, so everybody was called 'Pops'.
What is uncertain is how much further the bubble can expand, and what might pop it.
There were so much affairs of me created by the media... of course I was not always a true single. I had some relations, once also to a famous pop star.
We, as pop stars, are people not androids. We’ve got views. I’ve got opinions and I don’t see why I shouldn’t use a bit of my art to put them over. I think music is one of the most powerful media forces in the world today.
The recording industry has changed; they're enjoying such incredible success in the pop field
I first heard Laura Branigan sing live in my brother Nesuhi's apartment, where we had gone because he had a very good piano. I immediately realized that she had a great pop voice, in the classical sense. Laura had an instinctive feel for music and melody, and her delivery was sensational. Everybody at Atlantic knew that we had a winner in this young lady, and she came through with great hits that will be remembered for many years to come. I consider Laura to be one of my best signings, and I am proud to have had such a great singer in my career in the record business. We miss her dearly.
You see that a handful of times every year where a person that hasn't been playing that well pops up and wins.
I had my 15 minutes of being the new boy of pop, like lots of people before and after me. Overnight, everyone starts treating you differently, and perceives you differently.
If you write songs and if you write music that's very sincere and very honest, it's pop music, but it is pop music with a lot of honesty and a lot of heart.
There's a consistency in my work that pops up independent of the limitations of the technology.
No, in 1968 I still wanted to be a Pop Star, and be about the music. Now, I want to be just about the music.
With the exceptional talent that is Guy Sigsworth as producer and collaborator, we have recorded a collection of original songs that sees me moving away from a generic line up and back into the world of a programmer. Born of reconstructed improvisation I like to think of it as Prog-Pop, but I also like to think of big dogs as small horses. So don’t hang on to that thought long. Unless, of course, you think it astute of me in which case I am right
If you try to do that in pop music - to play only rare show tunes, for example - people don't come.
I wanted to make an unashamed pop record. I became obsessed with Disney soundtracks from the '50s, so I decided to make my own.
I really hate those books where the murderer turns out to be somebody you never heard of who pops up in the last chapter.
It's a template record for the intersection between pop and noise, starting out with 'Sunday Morning' - a real beautiful, almost innocent sunny day song. You have a lot of different types of things on one record. It can be really pretty, or it can be really awful inside, depending on where your head's at at the moment. I got it in ninth grade and I think I've listened to it every month since then.
I have no desire whatsoever to desecrate the grave of seminal Manchester pop group the Stone Roses.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: