Eric Show will be 0 for 10 if that pop fly ever comes down.
George Hendrick simply lost that sun-blown pop-up.
I always think, quite frankly that pop culture is a lot more important than a lot of people realize.
The songs that I'm able to write are the songs I'm able to write, whatever they may be. The path I've cut for myself is pop music - love-y pop music. That's what I enjoy doing. And I don't think I'm going to get sick of it anytime soon.
John Dorschner, one of our staff writers here at Tropic magazine at The Miami Herald, who is a good friend of mine and an excellent journalist, but a raving liberal, wrote a story about a group that periodically pops up saying that they're going to start their own country or start their own planet or go back to their original planet, or whatever. They were going to "create a libertarian society" on a floating platform in the Caribbean somewhere. I know there's never going to be a country on a floating anything, but if they want to talk about it, that's great.
Traveling all over the country and all over the world, I think you've got a lot of pop acts and a lot of rock acts that are making a point of traveling to different places and making people aware of their music and their shows and the whole deal and I think country music has always sort of stayed, for the most part, in the states.
If you Google the word "fluffy," I'm the first thing that pops up. It's me, dogs and rabbits.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
I'm a producer first, and I know music, so I can jump on any song, whether it's pop or urban, without changing me. Whatever I do, I'm gonna make it classic.
It's really hard to fit a complex idea into a 3-minute pop song. And when you're dealing with issues that you're passionate about, usually they have various levels. And within a poem, you can get around the issue of space, and in a song the same way, by simply leaving holes and alluding to what you're talking about.
I love a good pop song. I have no problem with the concept of doing that sort of thing. For me, it's usually what I'm inspired by, what I'm thinking about.
That's where all good music comes from, I think - anything that's likely to have an impact on pop culture comes from a point where there's no expectation of it becoming anything other than personal.
Making a record is a lot like surgery without an anesthetic. You first have to cut yourself up the middle. Then you have to rip out every single organ, every single part and lay them on a table. You then need to examine the parts, and the reality of the situation hits you. Then you pop it all back in, sew yourself shut and perform.
Frank [Sinatra] sang to you, not at you, like so many pop singers today. Even singers of standards. I never wanted to be a singer that sings at somebody. I've always wanted to sing to somebody. I would have gotten that subliminally from Frank many years ago. Hank Williams did that, too. He sang to you.
I never had the desire to be a professional Twitterer. Every now and then something dumb pops into my head and I'll tweet it. I don't feel any obligation to respond to everyone. Not that I don't appreciate people sending me messages on there, but there are too many. Responding to everyone would take away time for all the stuff I'm actually in the business for.
I was raised really strongly on The Beatles; they were huge in my family, my parents loved them, and they used to quiz me on who was singing which song, and we'd play certain records for certain events, and things like that. So I mean, they were sort of my introduction to pop music.
It's like a dream sometimes, a song just pops into your head and you can't tell if it's something you heard or it's new and you got to write it down.
I woke up my pop in the middle of the night 'cause the boogie man's under my bed. My pop is this big, huge man, nothing can hurt him. I went running into his bedroom like, 'Daddy, Daddy, the boogie man's under the bed!' Pop opens one eye, he's like, 'Is the boogie man bigger than me?' 'Well, no Daddy, he's not.' 'Well, you got your choice: you can deal with the boogie man or you can deal with me.'
When I began to cover songs for YouTube, they all tended to be in the super pop-genre.. as in, smash-hit songs. My writing process was heavily influenced by this - I went from a more heavy punk rock style to straight up sugary-sweet pop.
When I'm sittin' down to dinner with the family, stuff [another Yogiism] just pops out. And they'll say, 'Dad, you just said another one.' And I don't even know what the heck I said.
I think one of the thing that makes a Kubrick film a great experience is the fact that he bends reality to his will and is so confident that he ends up creating something that is the island in the stream of pop culture and he takes a stand that's so firm and so confident and unyielding that it can't be ignored and I appreciate that.
I'm one of those artists who have the presence and that swag... I was always built for the music, I don't get on cameras and pop sh*t and base it on a whole lot of hype and talk, I was built off my music.
I like to play music that people can feel deeply but it's also interesting to listen to - a nice balance between cathartic and pop music.
Most people don't realize the many steps that a pop-up goes through. There are a variety of "Dummies" (the sketch phase of the book). Then finally the pencil "dummy", then the finished art which is like painting pieces of a jig saw puzzle.
Pop culture, commercials. You only come across a commercial if you're watching a TV all the time. I've never been all that upset. I like hearing the songs. I guess I've never been all that caught up in it.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: