Because there can be consequences for saying the first thing that pops into our heads, it is prudent to exercise tact.
In my teenage years I was as addicted to great pop as I was to free jazz, electronic music, and hardcore blues.
Don's Mancini father was an advertising executive and I think Don really grew up and all of that stayed in his head. Some of the really great slogans we came up with, over the years, the big advertising buzz-words that we had, Don created those. It's just kind of fun just thinking about what we both love about pop culture and applying it to Chucky film and any others.
Chucky become a pandemic part of pop culture, definitely.
Every job in Hollywood is a risk. You don't know, when you sign a contract, if something is going to pop, you don't know whether this or that network is going to support your show. You just show up and do the best work you can do, gravitate towards the best material, you know, and try to make the right choices. And the rest of it is a roll of the dice.
I think it's cool when Scorsese will pop up in a movie or something like that. I never want to make a career out of that or anything. I like directing. That's my favorite thing.
I lived in Italy for a number of years and I was really digging around trying to get my hands dirty, trying to learn about Italian music. And what I ended up gravitating towards was this stuff from the '50s and '60s and maybe early '70s, where there were these incredibly talented pop singers that weren't using pop bands.
I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.
Being on the road, the Internet enables me to interact with people in some way. It's not so much interacting with my fans - it's about doing something with what I have. I have my camera and I have my computer, and if I have some spare time, rather than watching some mindless bullshit pop-idol program on TV, why not show people my pictures and try and discuss things that I feel are important?
I have some irrepressible pop impulses to write an appealing, concise song. And I also have some irrepressible kind of restlessness as well, and I need to keep myself interested. When I'm left to my own devices, there's a struggle.
There's always that struggle between me wanting to keep [song] new and fresh and then be - I can never get with pop songs being so repetitive.
I'm coming from a place that's more experimental and indulgent already, so for the last 10 years, it's been more like, "How can I defend my own sensibilities by writing a nugget of a little catchy pop song?" That's how I'm stretching myself, by writing something really simple.
Anyway, I'm digressing, but this is just kind of this 10-and-a-half-minute, ambient - you hear cicadas and birds and the wind outside and crickets as I'm swelling the piece. I could never do that on a pop record. I could, but why would I want to be agitating?
Everybody can't be like Redford and pop out there and make big bucks right away because you look like a Greek god... The guy's a friend of mine and he has absolutely no privacy in his life.
You can't have Rosie on The View and Elton John packing Mom and Pop in at Caesars Palace and gay people all over television, and then have these politicians run out there with a straight face and say that gay and lesbian relationships are a threat to the family. We are winning in the culture - which is why we'll ultimately win the political war.
When I would play pop music at underground shows, it was offensive to some people. I wasn't doing it to piss people off: I just didn't believe in those strong divisions that you're supposed to listen to this or that.
I thought Victoria Beckham was going to be one of those pop girls, but she's absolutely the complete opposite. She's a working girl. She knows what she wants. And when she doesn't know, she really prepares herself. I love this working type of women. And she's a girl from - I don't even know where she's from.
What I love about '80s rock music is the amazing, fantastic melodies. In pop music, it's all about the techno beat to dance to in the club and the repetitiveness, whereas in rock music there is literally, like, balls-to-the-wall singing and playing. I love it.
I wanted to be an artist, even at the age of 15, and people used to laugh at me. It was the late '90s, the time of pop stars and navel-dancing, where you were showing your midriff. I wanted to be a real singer.
I'd been trained as a classical musician, but also as a pop musician. My teacher made sure that everything was available.
The people who are going into music who hunger, they're going into pop music. There are some badass women who are ambitious and hungry and brave, and they're in pop.
Everything has become so pop-rock oriented that finding a role for a soprano, and finding an audience for a soprano, is tricky. Unless you're dealing with a revival, which is why I do so many revivals - because my specific tone and vocal quality lends itself to that type of writing.
I'm always thinking about that young girl or young boy who doesn't quite know if their music, their messaging, their imaging, their voice is going to pop, if people are going to understand them. So I represent the other and those who feel like they don't even want to be normal. They embrace the things that make them unique.
When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.
I'm a failed pop star. I always sneak a song into everything I do.
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