Pornography as propaganda, according to feminist analysis, represents women as objects who love to be abused, and teaches men practices of degradation and abuse to carry out upon women.
If pornographers can hook adolescents when their hormones are raging, they know they'll have an ongoing consumer base for life.
Pornography is not egalitarian and gender-free. It is predicated upon the inequality of women and is the propaganda that makes that inequality sexy. For women to find passive, objectified men sexy in large enough numbers to make a pornography industry based upon such images viable, would require the reconstruction of women's sexuality into a ruling-class sexuality. In an egalitarian society objectification would not exist and therefore the particular buzz provided by pornography, the excitement of eroticised dominance for the ruling class, would be unimaginable.
People routinely assume that pornography is such a difficult and divisive issue because it's about sex. In fact, this culture struggles unsuccessfully with pornography because it is about men's cruelty to women, and the pleasure men sometimes take in that cruelty. And that is much more difficult for people-- men and women-- to face.
Just because I publish pornography does not mean that I am not concerned about the social ills that all of us are
The impulse to make ourselves safer by making ourselves less free is an old one ... When we are badly frightened, we think we can make ourselves safer by sacrificing some of our liberties. We did it during the McCarthy era out of fear of communism. Less liberty is regularly proposed as a solution to crime, to pornography, to illegal immigration, to abortion, to all kinds of threats.
If pornography is part of your sexuality, then you have no right to your sexuality.
I think that both pornography and the imposition (common in some areas of the world) of a dress code on women are problematic.
Inevitably, the flood of literary pornography loosed on us is dulling our reactions of surprise or shock. Its writers are forced to raise the ante, to provide stronger and stronger stimulants. Or try to provide them, since both the manner, the naming of parts and the few inexpressive four-letter words, and the matter, are narrowly limited.
Pornography does not inspire violence, but you can break a leg trying to imitate it.
The marriage of reason and nightmare which has dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the specters of sinister technologies and the dreams that money can buy. Thermonuclear weapons systems and soft drink commercials coexist in an overlit realm ruled by advertising and pseudoevents, science and pornography. Over our lives preside the great twin leitmotifs of the 20th century-sex and paranoia.
Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.
Child pornography is taboo. There are really no such things as snuff films. That's a legend. But movies are like pieces of dreams, and we don't need to go into those dreams. Those dreams are beyond. Child pornography - it's horrible. Human suffering is a horrible thing in real life.
An enormous amount of art and literature is erotic in the sense that it stimulates vague sexual emotions, but it has no pornographic intention or effect because "it leaves everything to the imagination." The consumer has to invent his own images, and it is felt, I do not know with what justification, that there is no harm in this.
I shall not attempt further to define the kinds of material I understand to be embraced within that shorthand description (of pornography), and perhaps I could never succeed in intelligibly doing so. But I know it when I see it, and the motion picture involved in this case is not that.
Not everybody wants to call sin 'sin'! Some call it mischief. Some call it rebellion. And hardly anybody can agree where we should draw the line. ... Our courts are ... trying to define pornography, yet moral law is very specific to any reader of God's Word.
And then there are encouragements to use heterosexual pornography or heterosexual images to encourage heterosexual attraction. I find it a golden idol, honestly, where we have been hypocritical to ask people to resolve this issue in a way that we haven't encouraged other people with other struggles to resolve. I'm looking at offering biblical holiness, not an unrealistic expectation for people that will leave them disappointed.
I don't like jokes in speeches. I do like wit and humor. A joke is to humor what pornography is to erotic language in a good novel.
There is a certain amount of pornography that exists throughout Purple Rain, but the appeal is obvious. You can really pick that picture apart and see where "A" fits into "B" and so on. It was very wisely done.
You may find somebody refreshing until they drop the N-word on you and then you're no longer feeling refreshed, you're just feeling offended. And where we draw that line as a society is sort of akin to what the Supreme Court said on pornography, you know, you know it when you see it. And it's different for each person.
I heard a statistic, and this one blew my mind, that 1 out of every 4 men in the church are involved in pornography. And yet, when was the last time you heard a pastor talk about pornography? ... Talk to people in law enforcement, and they will tell you that the great majority of sexual assaults were perpetrated by people that were looking at pornography and they wanted to make a reality what they were seeing in the pornography.
Photography's relationship with pornography is as old as photography. That kind of unholy relationship is formed from the very beginning, and there's a reason why: it's thoroughly enjoyable to be that voyeuristic. Voyeurism is a very old modality, and most of the history of photography is in some way related voyeurism.
Pornography has become rationalized. It's become much more coherent and profitable.
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