Nowadays, teenagers are so fast and quick to see through any form of manipulation. Sitting down and just thinking of something is like watching really bad pornography.
History has shown that Justice Ruth Bader Ginsburg did, in fact, dramatically change the balance of the court in many critical areas, such as abortion, the privacy debate expansion and child pornography.
Sentimentality, like pornography, is fragmented emotion; a natural consequence of a high visual gradient in any culture.
The computer is a greater threat to the [nuclear] family than all the abortion laws and gay rights movements and pornography in the world.
I am attempting to move away from the exclusionary practices of feminist theory, particularly anti-pornography rhetoric, in order to amplify the discussion about the complexity of pleasure for women.
What appeals to me in The Deuce is some of the same things that made me interested in The Wire, which is there seems to be a theme here around markets and capitalism and labour. This is a moment, 1971, of something that was under the counter: then brown paper bags suddenly became legal, pornography. And it was really the birth of an industry which is now a multi-billion dollar American standard. And these people were the pioneers at a moment where there really were no rules, then suddenly there was a legal industry that was allowed to exist.
One [paradox] is that pornography follows in that wake of women's liberation. The first instances of hard-core pornography were in late 18th-century in France, "the Golden Age of Women." The next wave in the 20th century comes from Sweden, one of the first countries where women voted. Then Germany, again, at the forefront of progress. Then America in the '80s, when women were closing the pay gap. And Japan, same thing.
How that happened - how the money and the power arrayed itself and who got the share in that, who got cut out, who was exploited and who did the exploiting - that to me is a story of The Deuce that's more about almost the America that we inhabit today, more than just merely about pornography or prostitution.
The court case against me was a dictate out of the White House. Richard Nixon instructed the Justice Department to prosecute pornography to the fullest extent. Now, at the same time, Watergate was going on, so I think he was trying to defer the press or take attention away from his own personal problems.
What we've learned from the whole election cycle of 2016 President elections is men and women, men particularly, are pretty comfortable talking about women in terms that - I think it's hard for me to not believe this has been influenced by fifty years of open pornography and that kind of culture.
That's what we were interested in: how power and money ran itself, much more so than 'drugs are bad, drugs are good.' That seems to me a simple moral equation and one you don't have to spend 60 hours of television examining. And I think the same thing is true with how we approached pornography or prostitution. Prostitution's been around since the Bible, and pornography's been around since about 15 minutes after the French guy invented the first camera.
Feminists who want to censor what they regard as harmful pornography have essentially the same motivation as other would-be censors: They want to use the power of the state to accomplish what they have been unable to achieve in the marketplace of ideas and images. The impulse to censor places no faith in the possibilities of democratic persuasion.
I would never do hard-core pornography, because it looks too much like open-heart surgery.
A librarian is not a legal process. There is not librarian in the country unless she or he is a lawyer who is in the position to determine what he or she is looking at is indeed child pornography.
In the Year 2000 the discovery of extraterrestrial life will create a revolution in science, art, and pornography.
I don't think pornography is harmful, but it is terribly, terribly boring.
Real orgies are never so exciting as pornographic books. In a volume by Pierre Louys all the girls are young and their figures perfect; there's no hiccoughing or bad breath, no fatigue or boredom, no sudden recollections of unpaid bills or business letters unanswered, to interrupt the raptures. Art gives you the sensation, the thought, the feeling quite pure--chemically pure, I mean,... not morally.
pornography, to me, represents freedom.
Things like pornography perpetuates this idea that women are just there as objects of male desire and are not complex people with their own sexuality and humanity.
I tend to think of fear and humour as very, very close together. And to be honest I think pornography completes the triangle, because they are things that to work need to evoke a certain reaction.
With pornography, if you don't get hard or wet, depending on your gender, it didn't work. With humour, if you don't laugh it didn't work. And with horror, if you don't get scared or haunted, depending on what it's trying to do, it didn't work. I'm fascinated by those three categories.
I'm against suppression of pornography. If you suppress guns - yes; if you want to suppress poverty - yes. These are the obscenities, the real brutalization of people. I am almost more outraged by ads for blue jeans or cars that sort of blatantly depict women not only as sex objects, but women that look younger than the age of consent, looking like they've just been raped or asking to be raped-utterly passive sex objects.
By the 1970s, pornography had caught up with The Block, where performers were totally in the nude. I wasn't going to do that, and I certainly wasn't about to let my girls do it. After all, I'm religious, and if my mother knew I was performing in the nude, she would have had a heart attack.
By the way, pornography? It's a new synaptic pathway. You wake up in the morning, open a thumbnail page, and it leads to a Pandora's box of visuals. There have probably been days when I saw 300 vaginas before I got out of bed.
Obscenity is a cleansing process, whereas pornography only adds to the murk.
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