I did indulge myself in a lot of history reading, to inform myself as to who the real woman was. As far as other actresses’ portrayals, though, I tried to stay clear. It muddles your process, I find.
Martin Bashir persuaded me to trust him, that his would be an honest and fair portrayal of my life and told me that he was the man that turned Dianas life around.
Alan Rocke's Image and Reality does so many things vividly and convincingly: it shows how visual images led chemistry step by step to the reality of the microscopic world; how simple portrayals of the logic of substitution and combination were reified; brings to our attention the imaginative, neglected work of Williamson and Kopp; and takes a critical look at Kekule's daydream. And it beautifully delineates the essential place the imagination has in science. A rewarding, lively picture of chemistry in formation.
Exhilarating. Radical Grace moved me to tears with its portrayal of good people putting their beliefs into action in ways that transcend all ideological boundaries.
I don't really like to arrange shows by best performances. That's why Emmy season is kind of a chore for me. Unlike movies, where it's easier to decide who was the best performance, a TV show goes up and down, including characters/portrayals.
My Obama is getting pretty good ... I think I'll vote for whoever makes my portrayal easier. It takes time to put together a comic impression. It takes time to recognize the tics. Right now, for instance, I could do a dead- on Paul Ryan and people wouldn't recognize it. Personalities take a while to sin.
The nation of Iran is threatening to sue the makers of the movie Argo. They say the movie was an unrealistic portrayal of their country. You can't do that! That would be like Scotland suing over the movie Shrek.
As an actor, that's the most important thing. You want to be able to let go and not hold onto anything, so that you can give an honest portrayal and performance.
The portrayal of Senator Joe McCarthy as a wild-eyed demagogue destroying innocent lives is sheer liberal hobgoblinism. Liberals weren't cowering in fear during the McCarthy era. They were systematically undermining the nation's ability to defend itself while waging a bellicose campaign of lies to blacken McCarthy's name. Everything you think you know about McCarthy is a hegemonic lie. Liberals denounced McCarthy because they were afraid of getting caught, so they fought back like animals to hide their own collaboration with a regime as evil as the Nazis.
America does not go abroad in search of monsters to destroy. She is the well-wisher to freedom and independence of all. She is the champion and vindicator only of her own. Sir Anthony Hopkins portrayal of me was adequate. I do believe that my sideburns were of substantially higher quality, however.
Obama also allowed Hillary supporters to insert an absurd statement into the platform suggesting that media sexism spurred her loss and that “demeaning portrayals of women ... dampen the dreams of our daughters.” ... It would have been better to put this language in the platform: “A woman who wildly mismanages and bankrupts a quarter-of-a-billion-dollar campaign operation, and then blames sexism in society, will dampen the dreams of our daughters.”
We only hear success stories. You don't hear about the hundreds and hundreds - the overwhelming majority that don't go anywhere. This is a more realistic portrayal of what happens in startups.
I really just try to focus every day on delivering the most honest portrayal I can and let everything else take care of itself.
Doris Kearns Goodwin's Team of Rivals is instructive in painting a realistic portrayal of Lincoln and his methods for accomplishing his objectives. In fact, many good political biographies are useful in learning about power, strategy, and decision-making.
You do your due diligence, you read as much as you can, and then, ultimately, I find that you discard that and you concentrate on the characters [of 'Antropoid'] and you can draw on [the research] if you wish, but I think ultimately it's about bringing as much truth and honesty to the portrayal as possible.
I do think people need to recognize that a lot of journalists want to write a story a certain way because the story will be better or the portrayal will be better, or at least recognize that whenever you're looking at something, you're seeing it through somebody's eyes who may actually not be the person who is the most insightful.
Key feature of sexual revolution is the large-scale publication and commercialization of details that were once secret. Sexuality has been trivialized. The interesting thing about this is that exaggerated portrayals apparently destroy desire more effectively than any repression.
I remember in school - in elementary school - I used to recite poems. We'd have to recite poems. And I would always just, like, roll on the floor, like, just make it such a huge, melodramatic portrayal of whatever it was.
Richard Gavin is one of the bright new stars in contemporary weird fiction. His richly textured style, deft character portrayal, and powerful horrific conceptions make every one of his tales a pleasure to read.
The biggest fatal flaw in most fictional portrayals of nanotech - what sends those books arcing across the room - is ignoring that the nanobots need energy to do... anything.
We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.
No other group (traditional Christians) is so consistently maligned on prime-time television. These defamatory portrayals betray a deep-seated hostility.
We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past--the portrayals of family life on such television programs as "Leave it to Beaver" and "Father Knows Best" and all the rest.
This book blew me away. Kelly Parra writes with the keen eye of an artist. Graffiti Girl is warm, gutsy, and true-to-life - an unflinching, honest portrayal of young adults. A seamless and impressive debut.
I find it very stupid that teenagers could only see caricatures of teenagers but they couldn't see films that you try to be a truthful context, a truthful portrayal of teenagers.
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