With engaging prose, Engelman takes readers on a delightful journey?that both entertains and educates ? of modern civilization and women's central role to ensuring the economic and social well-being of their families, communities, nations and the global community.
Prose is not necessarily good because it obeys the rules of syntax, but it is fairly certain to be bad if it ignores them.
Poetry seems to sink into us the way prose doesn't. I can still quote verses I learned when I was very young, but I have trouble remembering one line of a novel I just finished reading.
In mauve sea-orchids as in her striking earlier book Guardians of the Secret, Lila Zemborain brings into relationship the viscera of the body and the spill of the universe in tense compositions that blur distinctions between lyric and prose poetry, between science and eros.
I suppress in my prose any language which calls attention to itself.
Prose of the World is an enormously compelling and vivid study. The result is an ambitious, timely, and eloquent account of the relationship between early-twentieth-century fiction and the contemporary global novel in English.
If you have feelings about reading, you feel the rhythm of prose or of a poem like music. It awakens something in your soul and then of course you study, read, you grow up and you begin to understand the message and that is the first step towards understanding life.
And I was troubled by the heavy-handed prose of so much psychoanalytic writing, which seemed drowned in its own concepts.
I am a poet who composes what life proses, and who proses what life composes.
Inexperienced fiction and creative nonfiction writers are often told to show, not tell - to write scenes, dramatize, cut exposition, cut summary - but it can be misguided advice. Good prose almost always requires both showing and telling, scenes and summary, the two basic components of creative prose
In an idealized world, we would all be able to do what our English teachers told us to do, which is to write beautiful prose where enthusiasm is conveyed by word choice and grammar.
EPIGRAM, n. A short, sharp saying in prose or verse, frequently characterize by acidity or acerbity and sometimes by wisdom.
Nobody brings ancient history and archaeology to life like Adrienne Mayor. From the Russian steppes to China, and from Roman Egypt and Arabia to the Etruscans, she leads the reader on a breathtaking quest for the real ancient warrior women reflected in myths--their daring, archery, tattoos, fine horses, and independence from male control. The book's rich erudition, communicated in sparkling prose and beautiful illustrations, makes it a riveting read.
Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put up in public places, there is a sense that the site and the occasion demand a form of writing which goes beyond plain informative prose. Each word is so valued that the letters forming it are seen as objects of solemn beauty.
The Last Of England works with image and sound, a language which is nearer to poetry than prose. It tells its story quite happily in silent images, in contrast to a word-bound cinema.
When I first wanted to be a writer, I learned to write prose by reading poetry.
Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
A probing analysis of the problems of evolution forms the basis of my prose.
A work of fiction should be, for its author, a journey into the unknown, and the prose should convey the difficulties of the journey.
Hundreds of butterflies flitted in and out of sight like short-lived punctuation marks in a stream of consciousness without beginning or end.
What a poor appearance the tales of poets make when stripped of the colours which music puts upon them, and recited in simple prose.
Juliet is one of those rare novels that has it all: lush prose, tightly intertwined parallel narratives, intrigue, and historical detail all set against a backdrop of looming danger. Anne Fortier casts a new light on one of history's greatest stories of passion. I was swept away.
From the reader's view, a poem is more demanding than prose.
The best prose is written by authors who see their universe with a poet’s eyes.
For me, a page of good prose is where one hears the rain and the noise of battle. It has the power to give grief or universality that lends it a youthful beauty.
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