With John Wick we wanted to do something like that. So rather than punching, kicks - and for the kind of way we wanted to shoot it, which is longer takes - our initial instinct was let's go with a throwing or grappling arm.
I just had to stay cool. Zen. No punching in the face. Punching would not be Zen.
Okay, yeah, he staggered back and fell into the condiments. Big deal. There wasn't any blood. I didn't even get him in the face. He saw my fist coming, and at the last minute he ducked, so instead of punching him in the nose, like I intended, I ended up punching him in the neck. I highly doubt it even left a bruise.
I always felt caged, closed in, like I was punching at things that weren't there. I always had too much energy for the room I was in.
It's unusual to spend even three full hours away from my newborn baby, it's like a piece of my body is back in the hotel room, and it does feel strange. But I love my work, though, it's not just a job for me, punching in my time card. I've always loved what I do, it's what makes me happy and I figure if I'm happy I'll be a good Mum too.
I'd like to thank Sony for their gracious hospitality, and for not repeatedly punching me in the face. If I seem a little nervous, it's because Kevin Butler was introduced to me backstage as the VP of sharpening things.
Every book I write, the media just keeps punching me in the face.
Many Karate teachers teach a watered down style - no hip action and no depth of punching - so it is easy to say that these teachers have no depth to their knowledge. You are what your teacher is, and if he knows a lot, you should be able to demonstrate this knowledge.
Now I'm a symbol of what to be and how hard to work. I have heads of major labels say, "I wish you could teach our artists how to do it." At one point I was the punching bag of what not to be, and now I'm the model of what to be.
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