Part of me is probably more conservative than people realise. I like my old string quartets, I don't like music that's trippy for trippy's sake.
And over the last ten years, after my work with the Brodsky Quartet, I had the opportunity to write arrangements for chamber group, chamber orchestra, jazz orchestra, symphony orchestra even.
Behind the cotton wool is hidden a pattern; that we—I mean all human beings—are connected with this; that the whole world is a work of art; that we are parts of the work of art. Hamlet or a Beethoven quartet is the truth about this vast mass that we call the world. But there is no Shakespeare, there is no Beethoven; certainly and emphatically there is no God; we are the words; we are the music; we are the thing itself.
These stories seem at times to be stories of a long-lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.
In spite of all the refinements of civilization that conspired to make art--the dizzying perfection of the string quartet or the sprawling grandeur of Fragonard's canvases--beauty was savage. It was as dangerous and lawless as the earth had been eons before man had one single coherent thought in his head or wrote codes of conduct on tablets of clay. Beauty was a Savage Garden.
Many consider that Shostakovich is the greatest 20th-century composer. In his 15 symphonies, 15 quartets, and in other works he demonstrated mastery of the largest and most challenging forms with music of great emotional power and technical invention...All his works are marked by emotional extremes - tragic intensity, grotesque and bizarre wit, humour, parody, and savage sarcasm.
Music just runs in my family. My dad and my uncles are a gospel quartet, Latimore Brothers. They've been doing their thing ever since I was a kid, so I just kind of grew up around that.
I don't know that I make a big distinction between the big pieces and the little pieces, because I don't experience them in that way. I mean, by the same token, you're out touring with a band and then you're writing string quartets, and in a funny way, isn't it all the same, in a way? It's all just music.
Beethoven's last quartets were written by a deaf man and should only be listened to by a deaf man.
Shantaram is the second in the series of a quartet of novels that I have planned about my life but is the first to be written. The third book is a sequel to Shantaram, the first a prequel.
Industry, economy, honesty and kindness form a quartet of virtue that will never be improved upon.
Why should a novelist not also be a historian? To force unnatural divisions within the English language is to work against its capacious and accommodating nature. To expect a writer to produce only novels, or only histories, is equivalent to demanding from a composer that he or she write only string quartets or piano sonatas.
I love working with the quartet. I have more freedom and flexibility.
It seems to me the structure of the Quartets is too imposed.
Whether a listener absorbs this music or rebels against it is at least partly a matter of how the performers put it across. It would be hard to imagine an ensemble playing it with greater virtuosity than the JACK Quartet, which seemed not merely earnest but also completely comfortable with, and passionate about, the strange sound worlds at hand.
A Beethoven string-quartet is truly, as some one has said, a scraping of horses' tails on cats' bowels, and may be exhaustively described in such terms; but the application of this description in no way precludes the simultaneous applicability of an entirely different description.
Every small town has its dramatic group, its barber-shop quartet, every home has music in one form or another.
The Third Quartet I made the instruments in pairs - Two different pairs - Violin and viola, and violin and cello. They played very different things from each other all through the whole piece.
The Quartets have been a major part of my work.
My family was very encouraging, and both of my grandparents were both beautiful singers. My grandmother was a coloratura soprano, and my grandfather was an Irish tenor in a barbershop quartet.
As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.
I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet.
I would give my best quartet for a good razor.
I am touring in Europe. I am putting together a trio and a quartet. I am playing solo concerts with my symphonic sounds. I am very much engaged back to playing and recording and everything.
When I was drawing this, I thought I’d put together Sailor Saturn and Sailor Chibi-Moon in a pair. Then I followed it with the Sailor Quartet. One of these days I’m going to put this team together into the manga. What a weird thing that would be. Anyway, here’s the six.
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