So I went and did an audition and became the biggest radio actor in Sydney, and that's how it all started.
Gone are the days when you'd have to tune in to a mad illegal radio station late at night to be able to hear the rapper of your choice. That's all changed now. That's all gone out of the window. And I feel like I represent that change. I represent the era of iPods and Shuffle and things like that.
I saw an Elvis Presley movie Jailhouse Rock, where he gets out of jail and makes his own records and takes them to the radio stations himself. And then, he puts records in the store. After seeing that, I made records an put them in stores.
The major newspapers simply stopped writing about me, and my voice could no longer be heard on radio or television.
I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.
I listen to Radio 4 and put the iPod on shuffle. I like the randomness of, say, the Stones, then something from Nina Simone, Nick Drake or Bob Dylan.
On the average, I don't spend more than 15 minutes in the car - to go to the golf course or the gym. And that's the only time I listen to the radio.
Local television is a slightly different story. It is under much more pressure in the same way that all local businesses are, whether that's a local newspaper, local radio or local television. But I think television in the aggregate is actually in very good shape.
I had this little handheld transistor radio that I used to sleep next to.
Orwell was dealing with communism and his disillusionment with communism in Russia and what he saw the communists do in Spain. His novel was a response to those political situations. Whereas I was interested in more things than the political atmosphere. I was considering the whole social atmosphere: the impact of TV and radio and the lack of education. I could see the coming event of schoolteachers not teaching reading anymore. The less they taught, the more you wouldn't need books.
Ive heard some people say that Im selling out, but Im not. If I hadnt done Black Radio, and just kept on doing just piano trio stuff, I wouldnt be honest with myself; Id be doing it to please other people. That would be selling out.
Most of the music you hear on the radio today is developed for making money. It doesn't feel true or honest. You can feel it in the music.
I love the sounds of Latin jazz, R&B, hip-hop, alternative, all that stuff. I'm a radio kid.
Radio and TV can still push a band, but things need to be shaken up. There is the Internet, but mostly what I see there is little kids on YouTube playing music.
Mainly I've been back to my books and writings and being nice and quiet and lazy. As I'm writing this, the radio says there's a foot of snow falling on Long Island. I really love snow and wish I could take a long walk in it right now.
The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
The BBC's television, radio and online services remain an important part of British culture and the fact the BBC continues to thrive amongst audiences at home and abroad is testament to a professional and dedicated management team who are committed to providing a quality public service.
I love writing songs. I love doing my radio show and talking to the fans and listening to what they have to say, but there's a certain responsibility that comes along with being given the gift of music. I take that seriously, but at the same time I try to use it to do something that makes a difference in a positive way.
It's so exciting to be doing radio on the cutting edge of technology. Being in on something new is the biggest thrill in the world.
One day when I was like 9, I heard the Beatles on the radio, and I asked my dad who they were. He told me they were the best band in the world, and I became obsessed. He started giving me their albums in sequential order, and I listened to them - and only them - until I was probably in high school.
The record industry is still pissed off that other people are making money off their business, even if it promotes their products and increases their sales. I think they're still mad about radio.
I went to Sirius Satellite Radio and did my show, Rapping With Rip.
I've been extremely lucky to work with Elmer Bernstein, Howard Shore over the years, but I've always imagined films with my own scores, because I don't come from that world or that period of filmmaking. And so how could I make up my own score on a film like this where it isn't necessarily made up of popular music from the radio or the period; it isn't necessarily classical music. But what if it's modern symphonic music?
The way for newspapers to meet the competition of radio and television is simply to get out better papers.
You could power the entire United States with about 150 to 200 square kilometers of solar panels, the entire United States. Take a corner of Utah... there's not much going on there, I've been there. There's not even radio stations.
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