Any time you put a cast like this in compromising circumstances or shake it up a little bit, I think we're all pretty close so we draw on real emotion.
After all, bluff and real emotion exist so easily side by side.
When I was producing the first solo album, i just wanted to convey some messages through it. The message was 'no blood will come out even if I am pinned' However, after trying out different kinds of music activities, I started to change and wanted to convey my real emotion that I have in my everyday life. I want to express the feelings that everyone has felt at least once, in music so I think people will feel/understand my songs.
But, especially in love, only counterfeit emotions exist nowadays. We have all been taught to mistrust everybody emotionally, from parents downwards, or upwards. Don’t trust anybody with your real emotions: if you’ve got any: that is the slogan of today. Trust them with your money, even, but never with your feelings. They are bound to trample on them.
I think the only way you can get something out is to invest some real emotion into it, which means you're already writing about what's going to happen to you, whether you know it or not. That's why I'm always surprised when people talk about writer's block. Because to me, it can't be stopped.
Chico Hamilton told me, "The first take is important in jazz because that's where the real emotion is." That's your true response to what's happening, and everything else after that, your brain is involved because you have something to reference.
If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.
My style is the paparazzi approach which is spontaneous, unrehearsed, off-guard. The beauty I'm after is inherent, more natural. Genuine emotions, real emotions, that's what I look for.
When you're actually feeling a character and you're going through the real emotions, and you're not fake acting, that energy stays with you and sometimes you can't get it off for days. It just resonates in your body, unless you have some sort of release, whatever it is.
The hardest thing about being a guy is that women don't accept that you really are just a simple, pathetic, labrador retriever-like creature. That we live in a world were women actually expect you to think thoughtful thoughts, and have real emotions, which we don't have. Having to try to live up to the imaginary ideal that women have of what men are, instead of just being what you are, which is just a pathetic creature, but still.
There's been a boiling down of real emotion into a set pattern instead of individualism.
I think maybe people see bands and musicians as some sort of superhero unrealistic sport that happens in another dimension where it's not real people and not real emotions. So, I grew up listening to Beatles records on my floor. That's how I learned how to play guitar. If it weren't for them, I wouldn't be a musician.
I'm not afraid to use my personal experiences and put them into a song. I think that's when you get the best stuff anyway, when it's real emotion.
I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.
Comedic actors can be looked at as a lower form because we have to put ourselves in a lower place than most of the audience. I think lofty emotions are somehow considered more special. The best stories in the world to me are the ones that elicit a real emotion, but have humour.
There are contemporary artists that I hate with all my heart. These are provocateurs that are without feeling. Where is the real emotion?
Although it's not useful to drown in despair, it's also not useful to keep a 'positive attitude' when this means concealing or denying real emotions.
Real emotion transcends language. You dont have to understand their words to feel their pain.
Jesus, music has always been my first love. I use music in my work because it's the fastest way to an emotional place. You hear a song, and that memory comes right back-- you're there... Making music is immediate, and it's all about you. If you're playing guitar, the feeling comes through-- the way you bend the note, the intensity with which you hit the strings. With making films, although it's real emotion, it's false emotion. You're lying.
Art is a deception that creates real emotions - a lie that creates a truth. And when you give yourself over to that deception, it becomes magic.
It's still a lean back, enjoy or a lean forward, be involved, enjoy medium. It's real engagement, real emotion.
You made me feel real emotions. You unlocked me.
They [Fairy Tales] are talking about real emotions, telling true stories, through the medium of metaphor. People used to understand metaphor better than I think we do now. But these stories are so potent, they refuse to die.
I guess the most amazing thing about crying though is that when you're in it, you think it'll go on forever but it never really lasts half what you think. Not in terms of real time. In terms of real emotions, it's worse than you think, but not by the clock.
A great numb feeling washes over me as I let go of the past and look forward to the future. Pretend to be a vampire. I don't really need to pretend, because it's who I am, an emotional vampire. I've just come to expect it. Vampires are real. That I was born this way. That I feed off of other people's real emotions. Search for this night's prey. Who will it be?
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