If words don't have vibration behind them, and a real feeling behind them, then they're just words.
Until we become fully free, we put up a false front, a facade, to others for the purpose of winning the acceptance and approval of others. We behave in accordance with what we think the other one wants rather than by expressing our own real feelings.
You have to deduce a person's real feelings about a thing by a smile she does not know is on her face, by the way bitterness tightens muscles at a mouth's corner, or the way air is allowed to flow from the lungs.
From here on out, I am only interested in what is real. Real people, real feelings, that's it. That's all I'm interested in.
We must be amusing at all times and sneer at those who express their real feelings; it's dangerous for a tribe to allow its members to show their feelings.
If you work from memory, you are most likely to put in your real feeling.
You can't copy anybody and end with anything. If you copy, it means you're working without any real feeling.
If you copy, it means you're working without any real feeling. No two people on earth are alike, and it's got to be that way in music or it isn't music.
Not so deep down, we all know that safety is an illusion, that only character melds us together. That’s why most of us do everything we can (healthy and unhealthy) to ward off that real feeling of standing alone so close to the edge of the world.
Never was an age more sentimental, more devoid of real feeling, more exaggerated in false feeling, than our own.
I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object.
Fear is like a giant fog. It sits on your brain and blocks everything - real feelings, true happiness, real joy. They can't get through that fog. But you lift it, and buddy, you're in for the ride of your life.
The real feeling of youth comes when we actually think in the consciousness of youth and give the realization of the now to every thought.
Man, the feeling of the make is something that I can’t put to words, it’s the very best feeling in the world. I just chase that, it’s a very real feeling and straight up, I am addicted to it.
Everyone at 'CSI' has been so great to work with, and so great in terms of scheduling. There's a real feeling of family on that set... I've grown to have so much respect for the cast and crew - they're been together so many years and still care about the show and each other.
The unaffected language of real feeling and benevolence is easily understood, and is never ridiculous.
So, how to stay inside the world of entertainment without actually getting another job? I felt the only logical answer was to become a novelist. So I wrote the first book - driven by some very real feelings of desperation - and it worked.
What I really want to say: That what the world really needs is a real feeling of kinship. Everybody: stars, laborers, Negroes, Jews, Arabs. We are all brothers.
I sip my coffee. I look at the mountain, which is still doing its tricks, as you look at a still-beautiful face belonging to a person who was once your lover in another country years ago: with fond nostalgia, and recognition, but no real feelings save a secret astonishment that you are now strangers. Thanks. For the memories. It is ironic that the one thing that all religions recognize as separating us from our creator--our very self-consciousness--is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution, cutting us off at both ends.
There's a feeling about it. You feel almost like a cabinetmaker, laying planks. There's a real feeling when you know you're getting it right. It's a physical feeling.
Couldn't we end this interview with what I really want to say? That what the world really needs is a real feeling of kinship -- everybody: stars, laborers, Negroes, Jews, Arabs. We are all brothers. If we could end this article saying just that, we'd get down to what we should all be talking about. Please don't make me a joke. End the interview with what I believe.
Ink was not invented to express our real feelings.
The trick, though, is to not lose compassion, to not allow the sense of absurdity to outweigh the awareness of real beings, with real feelings. Mean-spirited humor turns the world into cardboard, the way Midas's simple-minded greed turned food into inedible and useless stuff.
I never drew a picture of anything that was before me but always from fancy, a sure sign of the absence of artistic eyesight; and I illustrated my lack of real feeling for art by a very early speech: 'Mama,' said I, 'I have drawed a man. Shall I draw his soul now?
Anger is not a real feeling. Every time in my life I've ever been angry, it's because I was scared, or because I was sad and I didn't know it. Anger doesn't just come out of a vacuum.
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