I really like writing from real-life experiences. Audiences seem to prefer the stuff I couldn't have made up.
My real life’s not like the fantasy Tom Ford world – with naked girls pouring perfume everywhere. It’s more staying in and watching Friends on television.
The only real life is the collective life of the race; individual life has no existence except as an abstraction.
I don't think schooling of any sort really prepares you for real life. I don't know if art school would have prepared me to draw comics. Half of the people I know in comics went to art school, half of them didn't. Some of them went and dropped out.
If you work hard in real life, people tend to get in your way - either from inertia or prejudice - and they stop you achieving things. It's the worst thing about real life compared with sports, where you generally get what you deserve: if you're the fastest guy, you win; there are no other games being played.
I think one's character on the athletic field does not have to have anything to do with the way they are in real life.
The public saw my father right out of central casting. He looked the part, acted the part... he was the part! The real life Godfather.
Not understanding anything is terrible, because I communicate very much in my real life.
When you have a movie about people landing from planet Neptune, you suspend disbelief. I totally get it. But I like doing things that happen in real life.
When you make movies based on real life, you try to exaggerate it.
In movies, you get to explore parts of yourself that in real life, people shy away from, like looking stupid or embarrassing yourself or getting too angry, anything inappropriate. As an actor, you walk into those moments.
The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.
As far as how important the real-life resonance of the stories is, I think it must play at least a small role in the show's success, because it gives the show this sense of suspense from the fact that it seems at least plausible.
One of the real dilemmas we have in our country and around the world is that what works in politics is organization and conflict. That is, drawing the sharp distinctions. But in real life, what works is networks and cooperation. And we need victories in real life, so we've got to get back to networks and cooperation, not just conflict. But politics has always been about conflict, and in the coverage of politics, information dissemination tends to be organized around conflict as well.
The moment that any life, however good, stifles you, you may be sure it isn't your real life.
Absurdly improbable things are quite as liable to happen in real life as in weak literature.
When all is said and done, no literature can outdo the cynicism of real life; you won't intoxicate with one glass someone who has already drunk up a whole barrel.
What I could have done in real life only by throwing a bomb which would have led to the scaffold I tried to achieve in painting by using color of maximum purity. In this way I satisfied my urge to destroy old conventions, to disobey in order to re-create a tangible, living, and liberated world.
The thing about real life is that important events don't announce themselves... Usually something that is going to change your whole life is a memory before you can stop and be impressed about it.
What healthy religion is saying is that the real life is both now and later. You have to taste the Real first of all now. The constant pattern, however, is that most Christians either move both backwards (religion as nostalgia) or into the distant future (religion as carrot on the stick) and consistently avoid where everything really happens and mattersthe present moment.
If life is not real, life is not earnest, and the grave is its goal, perhaps it's ridiculous t otake ourselves so seriously.
A lot of the evidence and some of the events you see in LA Justice are loosely based on real-life cases.
After Dynasty, I wanted a reality check. I wanted to get in touch with real life, you know? That kind of world is outrageous.
I think in a sense seeing how films have changed me and seeing how fiction moves me more than facts in many ways, and I think that I can talk for many people that fiction moves us more than real life, it certainly helps us to set forth on this a journey of a utopia, which can never be achieved.
When you're working opposite Halle Berry, you're going to get a lot. So you have to give a lot. That said, what I've found striking in the past few days is that people are aware of a good chemistry that exists between us on screen. If that's so, it's due to the fact that she and I have a real liking for each other in real life and a real mutual respect.
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